Másodlagos ignorancia: A metamodern zsákutcái
Fájlok
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Folyóirat címe
Folyóirat ISSN
Kötet címe (évfolyam száma)
Kiadó
Debreceni Egyetemi Kiadó
Absztrakt
Leírás
The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society.
The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society.
The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society.