Másodlagos ignorancia
| dc.contributor.author | Smid, Róbert | |
| dc.date.accessioned | 2023-02-21T08:47:41Z | |
| dc.date.available | 2023-02-21T08:47:41Z | |
| dc.date.issued | 2022-12-15 | |
| dc.description.abstract | The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society. | en |
| dc.description.abstract | The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society. | hu |
| dc.format | application/pdf | |
| dc.identifier.citation | Studia Litteraria, Évf. 61 szám 3–4 (2022): Új tendenciák a kortárs magyar irodalomban , 42–57. | |
| dc.identifier.eissn | 2063-1049 | |
| dc.identifier.issn | 0562-2867 | |
| dc.identifier.issue | 3–4 | |
| dc.identifier.jatitle | Stud.litt. | |
| dc.identifier.jtitle | Studia Litteraria | |
| dc.identifier.uri | https://hdl.handle.net/2437/346464 | en |
| dc.identifier.volume | 61 | |
| dc.language | hu | |
| dc.relation | https://ojs.lib.unideb.hu/studia/article/view/12132 | |
| dc.rights.access | Open Access | |
| dc.rights.owner | studia | |
| dc.title | Másodlagos ignorancia | hu |
| dc.type | folyóiratcikk | hu |
| dc.type | article | en |
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