Másodlagos ignorancia: A metamodern zsákutcái
| dc.creator | Smid, Róbert | |
| dc.date | 2022-12-15 | |
| dc.date.accessioned | 2023-02-21T08:47:41Z | |
| dc.date.available | 2023-02-21T08:47:41Z | |
| dc.description | The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society. | en-US |
| dc.description | The new anthology of Transylvanian poetry entitled Címtelen föld (“Land Without a Label”) has intensified the discussions on the concept of metamodernism in the contemporary Hungarian literary scene. In my paper, I carry out a scrutiny of the conceptualization of metamodernism and how it is applied to contemporary Hungarian poetry. Firstly, I analyse the context, both Hungarian and international, in which the need for a new epochality succeeding postmodernism has arisen. Secondly, I examine the historical consciousness (or the lack of it, for that matter), which seems to be characteristic of a metamodern perspective as far as its relations to modernism and postmodernism are concerned.Th irdly, I carry out a comparison between how metamodernism is applied differently to novels and poems. In my conclusion, I argue for the return of modernism’s so-called “unhappy consciousness” with respect to contemporary Hungarian poetry’s obsessive fixation on manifesting the structure of feeling in contemporary Western society. | hu-HU |
| dc.format | application/pdf | |
| dc.identifier | https://ojs.lib.unideb.hu/studia/article/view/12132 | |
| dc.identifier.uri | https://hdl.handle.net/2437/346464 | |
| dc.language | hun | |
| dc.publisher | Debreceni Egyetemi Kiadó | hu-HU |
| dc.relation | https://ojs.lib.unideb.hu/studia/article/view/12132/10734 | |
| dc.rights | Copyright (c) 2022 studia | hu-HU |
| dc.source | Studia Litteraria; Vol. 61 No. 3–4 (2022): Új tendenciák a kortárs magyar irodalomban; 42–57. | en-US |
| dc.source | Studia Litteraria; Évf. 61 szám 3–4 (2022): Új tendenciák a kortárs magyar irodalomban; 42–57. | hu-HU |
| dc.source | 2063-1049 | |
| dc.source | 0562-2867 | |
| dc.title | Másodlagos ignorancia: A metamodern zsákutcái | en-US |
| dc.title | Másodlagos ignorancia: A metamodern zsákutcái | hu-HU |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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