Plays of Enda Walsh

dc.contributor.authorMurray, Christopher
dc.date.issued2020-06-26
dc.description.abstractEver since Disco Pigs hit the headlines at the Edinburgh Festival in 1996, Enda Walsh has achieved major success at home, on the Irish stage, and worldwide. This essay acknowledges that the body of his work to date, comprising nineteen plays plus collaborations in musicals and operas, still represents work in progress and that it is not feasible yet to provide anything like a definitive assessment or interpretation. It is argued, nevertheless, that the work may be situated within the Irish dramatic tradition and contemporary modes of performance. While Walsh seeks always to entertain through meta-theatre, his plays owe much not only to Beckett but also to youth theatre, especially to the style of Passion Machine, to story-telling techniques, and to clowning, farce, and rock music. Certain serious themes recur, such as alienation, private versus public space, and death, which place Walsh in a category beyond “just play.” As scriptwriter for David Bowie’s last show, Lazarus , staged in New York in December 2015, he may be moving towards a synthesizing of ideas, style, and theme, thus moving collaboration to a new level. (CM)en
dc.formatapplication/pdf
dc.identifier.citationHungarian Journal of English and American Studies, Vol. 23 No. 1 (2017) ,
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue1
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/294911en
dc.identifier.volume23
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7335
dc.rights.accessOpen Access
dc.rights.ownerHungarian Journal of English and American Studies
dc.subjectEnda Walshen
dc.subjectIrish theatreen
dc.titlePlays of Enda Walshen
dc.typefolyóiratcikkhu
dc.typearticleen
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