Representation of Young People in British Films Set in Coastal Resorts

dc.contributor.authorMazierska, Ewa
dc.date.accessioned2021-06-29T11:00:58Z
dc.date.available2021-06-29T11:00:58Z
dc.date.issued2021-06-01
dc.description.abstractThis article examines representations of young people in three recent films set in British seaside resorts: Jellyfish (2018), directed by James Gardner Vs. (2018), directed by Ed Lilly, and Eaten by Lions (2018), directed by Jason Wingard, in light of the fact that in the past few decades resorts have been seen as places from which young people try to escape, rather than go to.  My essay shows how the experience of those who visit the resorts is different from that of those who live there. It considers the production values, characters, stories, and locations of these films, drawing on secondary research on coastal resorts and their cinematic representations, Erving Goffman’s taxonomy of spaces into “front” and “back regions,” and Mikhail Bakhtin’s concept of the carnivalesque. The article also links the representation of the resort itself to wider discourses about England, class, and race. (EM)en
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dc.identifier.citationHungarian Journal of English and American Studies, Vol. 27 No. 1 (2021) ,
dc.identifier.doihttps://doi.org/10.30608/HJEAS/2021/27/1/7
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue1
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/318702en
dc.identifier.volume27
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/9544
dc.rights.accessOpen Access
dc.subjectdisadvantaged youthen
dc.subjectfront and back regionsen
dc.subjectthe carnivalesqueen
dc.subjectMikhail Bakhtinen
dc.subjectBlackpoolen
dc.subjectMargateen
dc.subjectpromenadeen
dc.titleRepresentation of Young People in British Films Set in Coastal Resortsen
dc.typefolyóiratcikkhu
dc.typearticleen
dc.type.detailedidegen nyelvű folyóiratközlemény hazai lapbanhu
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