Social Criticism and Mask in Eugene O'Neill's Selected Plays

A tétel rövid nézete
dc.contributor.advisorVarró, Gabriella
dc.contributor.authorGellér, Zsuzsanna
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-06T13:55:37Z
dc.date.available2013-05-06T13:55:37Z
dc.date.created2013-03-28
dc.date.issued2013-05-06T13:55:37Z
dc.description.abstractIn The Great God Brown and in Mourning Becomes Electra, two of his prominent mask plays, Eugene O’Neill voiced a sharp social criticism by portraying the psychological and spiritual suffering of characters, who could not assimilate into the alienated, modern American society. Through a deep knowledge about human nature, modern psychology and the renewed mask tradition of drama, he created two plays that grasp the gist of living in the modern, industrialized America. The family unit is represented in the two plays as an organic part of life and a unity which is strongly reactive to social problems, and in which social and psychological struggles of the individual converge.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent28hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/167033
dc.language.isoen_UShu_HU
dc.rights.accessiphu_HU
dc.subjectsocial criticismhu_HU
dc.subjectmaskhu_HU
dc.subjectpuritanismhu_HU
dc.subjectalienationhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleSocial Criticism and Mask in Eugene O'Neill's Selected Playshu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)