Image, text, corpus in the stories of Narcisus and Pygmalion in Ovid's "Metamorphoses"

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dc.contributor.authorDarab, Ágnes
dc.date.issued2020-07-12
dc.description.abstractThe article offers a comparative analysis of Ovid’s stories of Narcissus and Pygmalion. The analysis highlights the intertextual link between the two narratives, and uses it as the basis for comparison, focusing on the single aspect: who creates what, and how. The paper concludes that what is at stake in the two texts at a fundamental level can be found in the sphere of aestheticsen
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dc.identifier.citationActa Classica Universitatis Scientiarum Debreceniensis, Vol. 54 (2018) , 107–121
dc.identifier.doihttps://doi.org/10.22315/ACD/2018/6
dc.identifier.eissn2732-3390
dc.identifier.issn0418-453X
dc.identifier.jatitleActa Class. Univ. Sci. Debr.
dc.identifier.jtitleActa Classica Universitatis Scientiarum Debreceniensis
dc.identifier.urihttps://hdl.handle.net/2437/317265en
dc.identifier.volume54
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/classica/article/view/7878
dc.rights.accessOpen Access
dc.rights.ownerActa Classica Universitatis Scientiarum Debreceniensis
dc.subjectOviden
dc.subjectNarcissusen
dc.subjectPygmalionen
dc.subjectintertextualityen
dc.subjectimitatioen
dc.subjectphantasiaen
dc.subjectvisualityen
dc.titleImage, text, corpus in the stories of Narcisus and Pygmalion in Ovid's "Metamorphoses"en
dc.typefolyóiratcikkhu
dc.typearticleen
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Acta Classica Universitatis Scientiarum Debreceniensis (DE-journals)