The essay discusses two contrasting critical perspectives on the intersection between drink/alcohol and literature, claiming that criticism concerning the literature of the British Isles (English, Scottish, and Irish authors’ work) is generally text-oriented, that is, targets literature per se and the way writers thematize drink, while criticism concentrating on the American literary scene focuses on the alcohol-dependence of writers, and/or the way their alcohol-dependence affects their work, or the way alcoholism is portrayed in literary works. Whereas the criticism on authors in the British Isles emphasizes conviviality as a key trait of the way drink/drinking is represented in literature, studies on American authors often highlight drinking alcohol as a pathology, a physical, mental, and social malfunction. Thus, the former can be labeled drink/drinking literature, and the latter can be framed as what Marcus Grants has dubbed “alcoholism literature.”  (WK)