Theater within the Graphic Novel about Theater

A tétel rövid nézete
dc.contributor.authorLimpár, Ildikó
dc.date.issued2020-06-24
dc.description.abstractIn his own version of A Midsummer Night’s Dream , Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.en
dc.formatapplication/pdf
dc.identifier.citationHungarian Journal of English and American Studies, Vol. 25 No. 2 (2019) ,
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue2
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/294803en
dc.identifier.volume25
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7127
dc.rights.accessOpen Access
dc.rights.ownerHungarian Journal of English and American Studies
dc.subjectNeil Gaimanen
dc.subjectA Midsummer Night’s Dreamen
dc.subjectgraphic novelen
dc.titleTheater within the Graphic Novel about Theateren
dc.typefolyóiratcikkhu
dc.typearticleen
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