Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”

dc.creator	Limpár, Ildikó
dc.date	2020-06-24
dc.description	In his own version of A Midsummer Night’s Dream, Neil Gaiman exploits the possibilities in doubling: he presents the Shakespearean comedy as a play within the artistic space of his graphic novel and Such a reading reveals that what is a tool in Shakespeare’s play to visualize that art is capable of mirroring reality becomes a means to express the interchangeability of the realistic and the fantastic realms. Gaiman’s strategy of doubling thus suggests an understanding of life that surpasses the narrow interpretation of historical facts, and thereby it may offer a viable alternative to what we experience as reality.
dc.format	application/pdf
dc.identifier	https://ojs.lib.unideb.hu/hjeas/article/view/7127
dc.language	eng
dc.publisher	Debreceni Egyetemi Kiadó
dc.relation	https://ojs.lib.unideb.hu/hjeas/article/view/7127/6544
dc.rights	Copyright (c) 2019 Hungarian Journal of English and American Studies
dc.source	Hungarian Journal of English and American Studies; Vol. 25 No. 2 (2019)
dc.source	2732-0421
dc.source	1218-7364
dc.subject	Neil Gaiman
dc.subject	A Midsummer Night’s Dream
dc.subject	graphic novel
dc.title	Theater within the Graphic Novel about Theater: Neil Gaiman’s Concept of the Artist in His “A Midsummer Night’s Dream”
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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