Nature, the Picturesque and the Sublime in Mary Wollstonecraft Shelley’s Travel Narratives

dc.creatorBraida, Antonella
dc.date2021-02-01
dc.descriptionThe article explores Mary Shelley’s approach to the sublime and the picturesque in her two travel narratives, History of a Six Weeks’ Tour and Rambles in Germany and Italy. These two accounts of her travels through France, Switzerland, Italy, and Germany reveal her debt to a variety of contemporary sources aimed at exploring the nature of a sublime or picturesque experience. The analysis illustrates the complexity of Mary Shelley’s approach: while moving beyond the “egotistical sublime” typified by some key passages from William Wordsworth’s Prelude, her travel narratives reveal a variety of approaches to nature and the landscape, aimed at bridging present and past, personal experience and recent historical events.  Thus, while in History, the experience of the landscape offers a way out of the suffering caused by the Napoleonic Wars, in Rambles, Mary Shelley turns to poetry and painting, this way transforming the eighteenth-century aesthetic appreciation of landscape based on the pictorial categories of the sublime and the beautiful, and embracing a modern, cultivated sensibility nourished by guidebooks and art history manuals.  (AB)  
dc.formatapplication/pdf
dc.identifierhttps://ojs.lib.unideb.hu/hjeas/article/view/7243
dc.languageeng
dc.publisherDebreceni Egyetemi Kiadó
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7243/6648
dc.rightsCopyright (c) 2018 Hungarian Journal of English and American Studies
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceHungarian Journal of English and American Studies; Vol. 24 No. 2 (2018)
dc.source2732-0421
dc.source1218-7364
dc.subjectMary Shelley
dc.subjecttravel narratives
dc.subjectsublime
dc.titleNature, the Picturesque and the Sublime in Mary Wollstonecraft Shelley’s Travel Narratives
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article
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