Nature, the Picturesque and the Sublime in Mary Wollstonecraft Shelley’s Travel Narratives

Abstract

The article explores Mary Shelley’s approach to the sublime and the picturesque in her two travel narratives, History of a Six Weeks’ Tour and Rambles in Germany and Italy . These two accounts of her travels through France, Switzerland, Italy, and Germany reveal her debt to a variety of contemporary sources aimed at exploring the nature of a sublime or picturesque experience. The analysis illustrates the complexity of Mary Shelley’s approach: while moving beyond the “egotistical sublime” typified by some key passages from William Wordsworth’s Prelude , her travel narratives reveal a variety of approaches to nature and the landscape, aimed at bridging present and past, personal experience and recent historical events.  Thus, while in  History , the experience of the landscape offers a way out of the suffering caused by the Napoleonic Wars, in  Rambles , Mary Shelley turns to poetry and painting, this way transforming the eighteenth-century aesthetic appreciation of landscape based on the pictorial categories of the sublime and the beautiful, and embracing a modern, cultivated sensibility nourished by guidebooks and art history manuals.  (AB)