Szerző szerinti böngészés "Ferenczi, Martin"

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    Questions ultimes
    Ferenczi, Martin; Marádi, Krisztina; DE--Bölcsészettudományi Kar
    A társadalomtudományi szakfordítás területén írt szakdolgozatomban Thomas De Koninck Questions Ultimes című könyv negyedik fejezetének részletét fordítottam. Munkám a következő részekből áll: forrásnyelvi szöveg bemutatása, vagyis a bevezetés, a forrásnyelvi szöveg, a célnyelvi szöveg, fordítói megjegyzések példákkal, végül pedig az összefoglalás. A szöveg a következő kérdésekre próbál meg választ adni: mi az a boldogság, a boldog élet? Milyen feltételek mellett lehetünk boldogok? Miért nem merünk szembenézni önmagunkkal, és menekülünk inkább a sületlen, efemer szórakozási formákba? Hogyan viszonyulunk mások boldogságához? Miként lehetünk boldogok az élet okozta viszontagságok közepette is?
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    The Ideals and Experiments of the Hippie Counterculture During the 1960s
    Ferenczi, Martin; Glant, Tibor; DE--Bölcsészettudományi Kar
    Numerous countercultures and alternative ways of life emerged not merely in the 1960s, but also throughout the history of the United States. This work zeroes in upon one of the most significant ones, the hippie counterculture. After dealing with the etymology of the word “hippie,” tentative definitions of both the hippie phenomenon and of the word “counterculture” are given, with the conclusion that hippies never formally united into a mass movement, and hence the word “movement” is a misnomer. Moreover, the Beat generation, as the antecedent of the hippie counterculture, and its two major representatives, Jack Kerouac and Allen Ginsberg, are mentioned along with a brief discussion of the poem called “Howl” and the novel called On the Road, illustrating that they paved the way for the hippies. The paper then proceeds to expound upon the similarities and differences between the Beat generation and the hippie counterculture. The hippies’ prevailing philosophies are also limned, more precisely, the idea of love, arationality, the hippies’ withdrawal from established institutions, and the motto “turn on, tune in, drop out.” The experimentation with creating alternative microsocieties, most notably in Haight-Ashbury, segues into hippie communes and the ethics of the trinity—sex, dope, and rock and roll. Additionally, aside from proposing that Woodstock can be construed as the apotheosis of the hippie phenomenon, the counterculture’s multitudinous legacies are also touched upon. The hippies’ quixotic endeavor to bring about social change by establishing experimental, alternative communities—and thus implicitly setting an example for the rest of society—was infeasible to materialize for a variety of reasons: the hippie phenomenon was disorganized, amorphous, arational, and present-focused; furthermore, the hippies did not have any leadership or a well-defined plan.
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    The Revolutionary Ideas of the Hippie Movement During the 1960s
    Ferenczi, Martin; Mózes, Dorottya Katalin; DE--Bölcsészettudományi Kar
    In this paper, I am going to focus upon one of the most significant countercultures, the hippie movement of the 60s. Firstly, due to the fact that it is essential to know where the word “hippie” comes from, the etymology of it will be explained. Also, the Beat generation, as the predecessor of the hippie movement, and its two major representatives, namely Allen Ginsberg and Jack Kerouac will be mentioned along with a brief discussion of the poem called Howl and the novel called On the Road, to illustrate that they paved the way for the hippies even via their works. Additionally, a comparison between the Beat generation and the hippie movement is worth having. The issue of defining the hippie movement will be addressed as well, with the conclusion that the aforementioned movement is rather a frame of mind than a frame of time. Moreover, the hippies’ major ideas and ideals will be discussed, more precisely, the idea of transforming themselves in lieu of society, along with the idea of love and arationality. In my paper, I argue that even though the idea of changing a society by changing themselves via love and arationality is naïve and idealistic, they did believe in the transformative power of the movement.