Szerző szerinti böngészés "Moise, Gabriella"
Megjelenítve 1 - 20 (Összesen 74)
Találat egy oldalon
Rendezési lehetőségek
Tétel Szabadon hozzáférhető A lét és a semmi határán: Mrs. Ramsay test-terei(2011) Moise, GabriellaTétel Korlátozottan hozzáférhető “And Whoever Makes Up the Story Makes Up the World”: Morphing Stories in Ali Smith’s AutumnLikhovid, Angelina; Moise, Gabriella; DE--Bölcsészettudományi KarStorytelling as an art form in Autumn becomes the very thread that holds together the disparate fragments as well as subjectivities of the post-Brexit reality. The stories in this novel can be interpreted as both the object and the subject of action, and the interaction with them also has a dual nature. On the one hand, stories can be read and, in this case, they manifest a practice of interpretation; on the other hand, once told, they become a powerful tool for shaping reality. The ability to simultaneously read and tell stories, a skill whose importance is communicated, at the same time, by Daniel Gluck and the overall text of the novel itself, becomes crucial in the post-Brexit UK, where, in the most postmodern understanding, the categories of reliability, stability, and hope are appropriated by the perpetrators of the outplayed narrative. To resist the “mass culture of lies” constructed in the Brexit UK, Smith uses Ovidian plots as a manifestation of the changeability, adaptability, and transformative capability of art. In the dystopian world of the modern UK, disturbingly reminiscent of the nationalistic landscape of mid-20th-century Europe, dominated by xenophobic discourses, the Ovidian story of a human transforming into a tree becomes the symbol of humanity, witness and resistance, giving voice to those who were deprived of the right to speak. Ali Smith’s Autumn restores hope into the capability of stories to both change and enable change by becoming the connective tissue between numerous generations of readers and storytellers.Tétel Korlátozottan hozzáférhető Being (and not Being) a Mother (Figure) for a LifetimeTóth, Gergő; Moise, Gabriella; DE--Bölcsészettudományi KarThere was a strong dependence on the nanny in child-raising not only in the aristocracy but in the middle classes as well in the Victorian era. Thus, the nanny became a mother figure for many children she took care of.Tétel Korlátozottan hozzáférhető Cannibalism as a Metaphor of Consumerism in Cloud AtlasKrisztán, Daniella; Moise, Gabriella; DE--Bölcsészettudományi KarMy paper focuses on the representation of cannibalism in David Mitchell’s Cloud Atlas, the tension between being civilized or savage, and the emerging social issues revolving around consumerism—the shifting personal and social values due to the increasing influence of materialism, the aversion to aging and mortality, as well as the nonchalance and ignorance about the exploitation of natural resources. The metaphor of cannibalism can be seen as interweaving with the consumer culture and society, since the phases of purchasing, consuming, and producing waste eventually lead to the maximal depletion of resources, and as such a society can destroy its future, which can be considered as an act of gradual self-consumption.Tétel Korlátozottan hozzáférhető Christian Themes in the Filmic Representation of C.S. Lewis' The Chronicles of Narnia, The Lion, the Witch and the Wardrobe(2013-06-07T11:46:41Z) Tóth, Andrea; Moise, Gabriella; DE--TEK--Bölcsészettudományi KarBesides the Christian themes, I would like to lay emphasis on the filmic setting, as well. Firstly, I wish to study the features of the Gothic architecture and literature depicted in the film, namely, the representation of the frightening and gruesome atmosphere, the adoption of the supernatural and fantastic elements, the appearance of transgressions, the idea of the sublime and the employment of certain archetypes. By analyzing these qualities, the viewer might get a better comprehension of the complete work, as well as, the context of the filmic narrative... (Introduction)Tétel Korlátozottan hozzáférhető Clarissa vs. Mrs. Dalloway: The Clash of the Public and Private Selves in Virginia Woolf's Mrs. DallowayMatta, Boglárka; Moise, Gabriella; DE--Bölcsészettudományi KarAt the beginning of the 20th century, social norms regulating women’s life were still strict. Virginia Woolf, as one of the most significant feminist writers, introduced the social position of women in her works and the duplicity, the tension of the public and the private spheres that appeared in women’s life caused by social oppression. This clash is what this paper aims to focus on, the differences between the public and private selves introduced through the character of Clarissa Dalloway in Mrs. Dalloway, and the control of social and gender norms ruling women’s life in the early 20th century.Tétel Korlátozottan hozzáférhető Commercial Fiction and Women's WritingSimon, Melinda; Moise, Gabriella; DE--Bölcsészettudományi KarI analyse Dunant and Chevalier's commercial fiction, principally. I outline their style of writing specifically how they differ from the approaches of the older generation of authors producing women's fiction (for instance Virginia Woolf, Bronte) and how they deal with the gender issues of their times such as sexual awareness (homosexuality) and complex questions related to gender itself.Tétel Korlátozottan hozzáférhető Concept of Diversity in Post-Brexit BritainSőre, Patrik Tibor; Moise, Gabriella; DE--Bölcsészettudományi KarMy thesis aims to explain social differences in Great Britain after the country seceded from the European Union. In my essay, I will examine the history and the present of the contrast between social classes through the effects of Brexit and the analysis of the film I, Daniel Blake (2016) by Ken Loach. My essay provides a brief insight into the history of the difference between the working class and immigrant people from the previous century and the present in the United Kingdom. Through analysing the complexity of Britain’s class system, past and contemporary, and exploring the multi-layered implications of Brexit for different social groups, this thesis aims to deconstruct the complicated social, economic, and political interactions affecting post-Brexit Britain.Tétel Korlátozottan hozzáférhető Dancing in the Margins: Contemporary Postcolonial Identity and Intersectionality in Zadie Smith's Swing TimeKürpick, Malou; Moise, Gabriella; DE--Bölcsészettudományi KarIn order to understand the ways postcolonial cultural identity is formed, it is necessary to consider how race as link to colonial power is interspersed with further socio-economic categories in shaping the agency to create an empowering cultural identity. In line with Stuart Hall, colonialism’s material and cultural effect on the diasporic subject’s agency will therefore be jointly considered, with the material aspects and its further expansion into socio-economic dimensions of identity mainly covered by Kimberlé Crenshaw’s theory of intersectionality. The analysis will show that the narrator in Swing Time and her friend Tracey develop differential agencies in relation to culture as a result of their individually nuanced socio-economic background.Tétel Korlátozottan hozzáférhető Diversity of the Appearance of Nature in Street ArtFedor, Fanni; Moise, Gabriella; DE--Bölcsészettudományi KarStreet art always existed as a way of self expression in our life in connection with social, political and cultural issues. Furthermore, it has connections to various aspects of human interactions as well, including the diverse methods of portrayals which street art includes and its shaping power on the mindset of the viewers. However, it is important to emphasize that street art is strongly connected to the urban world due to its environment of creation, so it has a contrast with the mentioned depictions of cavepaintings and Romantic images which use nature as a main motif. In street art nature and culture can simultaneously appear as themes which signify that in a way we are still close to nature, even if culture has the dominant position and it stands at a higher level. Furthermore, it must be emphasised that the contradiction between nature and culture can have advantages since one can streghten the artistic effect of the other due to today’s changed mindset which highligths the protective attitude towards nature.Tétel Korlátozottan hozzáférhető Duality and Subordination in Thomas Hardy's Tess of the D'Urbervilles and Roman Polanski's Tess(2013-01-24T08:57:59Z) Marján, Ibolya; Moise, Gabriella; DE--TEK--Bölcsészettudományi KarThomas Hardy‘s Tess of the d’Urbervilles is acknowledged as one of his greatest novels. It is admired for having various layers and diverse viewpoints, which offer the opportunity for an almost endless process of interpretation. Among others, the novel can be read as ―a love story,‖ as ―a pastoral romance‖ (Butler 96), as ―a tragedy‖ (Boumelha 54), or as a narrative of a ―fallen woman‖ (Lovesey 913). The figure of the main character, Tess is presented in a dubious way, which serves a perfect ground for an abundance of readings. In his film adaptation entitled Tess from 1979, Roman Polanski managed to achieve a truly faithful portrayal of the novel‘s world, even if he did not succeed in condensing all the characteristics – concerning the ―element of the supernatural‖ (Strong), ―Hardy‘s artful handling of time‖ (Veidemanis 54), the ―superb emphasis on landscape and the rhythms of rural life,‖ the ―brutality of poverty‖ (Widdowson 102) – provided by the novel, for which he is often criticised. From the manifold aspects depicted by both the novel and the film, I will focus on the duality that Tess herself incorporates and her subsequent inferior position she is enforced into with respect to the other characters.Tétel Korlátozottan hozzáférhető Exploring neutrality in search of subjectivityDogan, Terzi; Moise, Gabriella; DE--Bölcsészettudományi KarIn short, in these three poems the details of similarities and differences concerning Douglas’s choice of words, rhyming patterns, literary devices and language skills show how Douglas developed his poetic voice based on a visual depiction through which all senses are addressed and his unique style being war-driven but neutral, tranquillized yet sentimental.Tétel Korlátozottan hozzáférhető Fashion as a Means of Self-expression in the Pre-Victorian EnglandBerecz, Dorina; Moise, Gabriella; DE--Bölcsészettudományi KarWith the help of the drama series Gentelman Jack (2019), this paper aimes to emphasize the importance of clothing as a self-expressing tool for nineteenth-century Halifax diarist, Anne Lister, who embraced her queer identity. Furthermore, it also intends to compare Lister’s rather masculine appearance with that of her life-partner’s, Ann Walker’s feminine style by highlighting the differences between the two with the examination of the garments worn by them as indicators of gender role in the Pre-Victorian society.Tétel Korlátozottan hozzáférhető From cellular formation to the decomposing body: corporeal tropes of power in Aldous Huxley’s Point counter pointDuró, Evelin; Moise, Gabriella; DE--Bölcsészettudományi KarMy BA thesis, titled “The Body as a Metaphor for the Scientific, Social, and Political Transformation in Aldous Huxley’s Point Counter Point, written in 2013, was used as the starting point for this MA thesis. In the former exploration of the novel, I concentrated on three stages of life, namely, the creation process, self-development, and the subjugation of the body, preliminarily from a political and social point of view. In the present paper, some quotations from the primary source, that is, Point Counter Point, I employ in the analysis of Chapter 3 and Chapter 4, were also used in my BA thesis, nevertheless, the analytic framework is different. The emphasis shifted from the artificial creation to the embryonic cellular development at the first level, from the propagandistic social constructions to the Foucauldian concept of power, and finally, from the subjugation of the oppressive power to the circularity of the universal organisms.Tétel Korlátozottan hozzáférhető Gender Crisis in Albert NobbsKovács, Viktória; Moise, Gabriella; DE--Bölcsészettudományi KarThe focus of this thesis is the phenomenon of cross-dressing through the story of Albert Nobbs that is set in the late-Victorian period, in Ireland. The socio-cultural frame of the narrative is the religious 19th century Ireland and the thematic focus is on the lives of the working class. The analysis embraces two literary works and a cinematic adaptation: "Albert Nobbs" in A Story-Tellers' Holiday (1927), a short story by George Moore based on real-life incidents, The Singular Life of Albert Nobbs (1977) a drama by Simone Benmussa, and Rodrigo García's Albert Nobbs. Firstly, the cross-dressing as such is analysed, particularly the origin of it and its brief historical and socio-cultural outline. Since this phenomenon is widely used among women, the first representatives are also examined and their reasons for turning to such means. Subsequently, the three versions of the same story are also analysed. The aforementioned versions try to give possible interpretations for choosing cross-dressing as a mode of living and the secondary adaptation also tries to offer a solution for this phenomenon.Tétel Korlátozottan hozzáférhető Homosexuality in the Late Victorian British SocietyMányi, Vivien; Moise, Gabriella; DE--Bölcsészettudományi KarIn the late 19th and early 20th century British society the attitudes toward homosexuality were hypocritical. This phenomenon made the life of male homosexuals difficult to be full members of the society.Tétel Korlátozottan hozzáférhető Interartistic Tendencies and Performativity in the Works of Three Women PhotographersFéder, Krisztina Judit; Moise, Gabriella; DE--Bölcsészettudományi KarFrom the beginning of its appearance photography had a long way ahead of itself until it was fully accepted in the art world and considered to be a separate art form. There were several—initially amateur and later professional—photographers who, however, experimented with other art forms in their photographic oeuvre in order to make the art of photography a more distinct form of expression. In my thesis, I would like to investigate the interartistic aspect in the works of two women photographers (Julia Margaret Cameron and Cindy Sherman) who, although were very distant from each other in time and location, both fused their photographic works with other art forms. Furthermore, along with their interartistic approach, I shall highlight the performative nature of their photographs which comes to realisation through the pose. Moreover, in the case of Cameron other than her innovation in technique she also expressed the importance of emotions opposing Victorian standards of manners. Furthermore, in case of Cindy Sherman performativity is extended to gender and identity formation. In connection with and as a completion of Cindy Sherman’s performative photographs I would also like to touch upon Heather Agyepong, a female photographer’s work from the 21st century by focusing exclusively on the performative quality of her photography. Thus, demonstrating the art of these three women photographers I would like to give an overarching evaluation of how and by what means women approached and used photography as art for the sake of reflecting on female subjectivity, socio-political and cultural norms delimiting women.Tétel Korlátozottan hozzáférhető Jane Eyre’s Journey through the Lens of Landscapes and Atmospheric ConditionsYaseen, Muhammad; Moise, Gabriella; DE--Bölcsészettudományi KarThis thesis explores the emotional and mental state of the protagonist, Jane Eyre, in Charlotte Brontë's novel Jane Eyre. The thesis examines the aesthetics of the visual description of the landscapes and atmospheric conditions and how these are portrayed in association with Jane's condition. This thesis investigates the significance of nature in the novel. Weather and seasonal changes play an important role in the unfolding of the story, as they suggest oncoming change and development in the narrator's journey. All in all, the main focus of the thesis is the description of landscapes with their weather imagery to indicate the condition of Jane.Tétel Korlátozottan hozzáférhető A jó társaság tündöklése: a viktoriánus Britannia társadalomtörténete, 1830-1900Süli-Kiss, Fruzsina Ágnes; Moise, Gabriella; DE--Bölcsészettudományi KarA szakdolgozatom Thompson, Francis Michael Longstreth. The Rise of Respectable Society: A Social History of Victorian Britain, 1830-1900 c. könyve harmadik fejezetének magyar nyelvű fordítása.Tétel Szabadon hozzáférhető A lét és a semmi határán – Mrs. Ramsay test-terei(2011-01-01) Moise, GabriellaThe structural plasticity of Virginia Woolf ’s To the Lighthouse defines the figure of Mrs. Ramsay, one of the central characters of the novel, as a spatio-corporeal entity. She occupies a transitory space in the texture of the novel, frequently being associated with the window, a trope of mediation and liminality itself. The ambiguity of her status rests in her incessant inclination to unite the family members and guests and to create stability and order while she herself withdraws into her “wedge-shaped core of darkness” remaining inaccessible and invisible for others. Mrs. Ramsay’s bodily presence appears analogous with a whole series of literal and imaginary architectural constituents and architectonic forms (windows, stairs, the drawing room steps, the lighthouse, the dome shaped hive, the tombs of kings, a cathedral-like space) primarily, through her identification with the Ramsays’ summer cottage, with the interiority of its domestic milieu. This, however, is expanded by her subsequent identification with the Lighthouse, a minimalist, emphatically vertical and guiding architectural design of the novel. Thus, Mrs. Ramsay emerges as an existential referential point in Sartre’s term. For Sartre,—as he argues in his Being and Nothingness— the upsurge of the self rests on the demarcation of an existential distance from the things of the world and the surpassing of one’s own body as yet another necessary obstacle. Mrs. Ramsay, as the basis of the spatio-corporeal existence, serves as space proper for the others: simultaneously, offering the potential for spatial embeddedness, as well as the delineation of corporeal distances within the network of things and bodies.