Újrajátszani, ami nem történt meg

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dc.contributor.authorFazakas, Gergely Tamás
dc.date.accessioned2024-07-22T20:58:15Z
dc.date.available2024-07-22T20:58:15Z
dc.date.issued2024-06-27
dc.description.abstractTh is paper examines acts and artefacts that can be interpreted as performative statements. I focus on international and Hungarian, artistic and partly amateur re-enactments, as well as on fiction and works of history writing that can be considered pseudo-historical, counterfactual or, in Sylvia Sasse and Inke Arns’s term, “as-if ”-reenactments in their entirety or to some extent. These performative accounts of the past, both in the artistic and in non-artistic fields, have not been systematically investigated in reenactment studies.en
dc.description.abstractTh is paper examines acts and artefacts that can be interpreted as performative statements. I focus on international and Hungarian, artistic and partly amateur re-enactments, as well as on fiction and works of history writing that can be considered pseudo-historical, counterfactual or, in Sylvia Sasse and Inke Arns’s term, “as-if ”-reenactments in their entirety or to some extent. These performative accounts of the past, both in the artistic and in non-artistic fields, have not been systematically investigated in reenactment studies.hu
dc.formatapplication/pdf
dc.identifier.citationStudia Litteraria, Évf. 63 szám 3–4 (2024): Újrajátszások: Emlékezés, megidézés, átértelmezés a művészetekben , 162–176.
dc.identifier.doihttps://doi.org/10.37415/studia/2024/63/14555
dc.identifier.eissn2063-1049
dc.identifier.issn0562-2867
dc.identifier.issue3–4
dc.identifier.jatitleStud.litt.
dc.identifier.jtitleStudia Litteraria
dc.identifier.urihttps://hdl.handle.net/2437/376586
dc.identifier.volume63
dc.languagehu
dc.relationhttps://ojs.lib.unideb.hu/studia/article/view/14555
dc.rights.accessOpen Access
dc.titleÚjrajátszani, ami nem történt meghu
dc.typefolyóiratcikkhu
dc.typearticleen
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