The Notion of the Subject in Virginia Woolf's Short Fiction

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorSzabó, Anna
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-18T12:48:14Z
dc.date.available2013-01-18T12:48:14Z
dc.date.created2012-04-11
dc.date.issued2013-01-18T12:48:14Z
dc.description.abstractVirginia Woolf’s aspirations in fiction display a modernist attitude towards art and life that results in a unique narrative technique and characterization. From the convergence of what she regards valuable in traditional narrative methods and in contemporary impressionist fiction she created her own, unique way of depicting reality and human beings. As Douglas Mao suggested, “Woolf’s emphases and sympathies show clearly how, under modernism, experience seemed to came into its value not as it transpired, but rather as it was recorded and fixed in the work of art” (Mao 36). Art, which is a solid form, is the means of capturing life; in Woolf’s work explanation is always created as a completing framework around sheer experiences. Moreover, the strong suggestive power of Woolf’s fiction derives from her desire “that fiction become poetry, no longer representing but rather presenting or constructing reality,” which is apparent in a way the main idea she whishes to convey in a piece of work is always positioned onto the visual level (Minow-Pinkney 3).hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent22hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156348
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectVirginia Woolfhu_HU
dc.subjectszemélyábrázoláshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleThe Notion of the Subject in Virginia Woolf's Short Fictionhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)
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