Emotional Urban Spaces

dc.contributor.authorPataki, Éva
dc.date.issued2021-02-01
dc.description.abstractInvestigating the literary representation of urban spaces and identities the essay untangles the complex psychological and emotional relationship between the heroine and her beloved and hated cities in Sunetra Gupta’s The Glassblower’s Breath (1993). Drawing on Gernot Böhme’s (1993) theory of the atmospheric qualities of space, Steve Pile’s psychogeographical approach to reading cities, Walter Benjamin’s concept of phantasmagoria, and various interpretations of fascination, it explores the creation of atmospheres in the novel and the role of fascination in the perception of London and Gupta’s female protagonist as phantasmagorias. I argue that—as urban imaginaries—the emotional fabric and atmosphere of the cities portrayed are as much created by their spaces and places, their inhabitants and visitors, as they are manifested and formulated in emotional states of being, whether real or fictional, phantasmagoric or imaginary. (ÉP)en
dc.identifier.citationHungarian Journal of English and American Studies, Vol. 24 No. 1 (2018) ,
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue1
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/294872en
dc.identifier.volume24
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7282
dc.rights.accessOpen Access
dc.rights.ownerHungarian Journal of English and American Studies
dc.subjectSunetra Guptaen
dc.subjectThe Glassblower’s Breathen
dc.subjectphantasmagoriaen
dc.subjectspatial studiesen
dc.titleEmotional Urban Spacesen
dc.typefolyóiratcikkhu
dc.typearticleen
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