A kifejezés és befogadás boldog lehetetlensége
| dc.contributor.author | Kovács, Edward | |
| dc.date.accessioned | 2024-07-22T20:58:14Z | |
| dc.date.available | 2024-07-22T20:58:14Z | |
| dc.date.issued | 2024-06-27 | |
| dc.description.abstract | This study explores the possible correlations between the aesthetic procedures of artistic re-enactments as a critical re-translations and performative modes of recontextualizing the events of the past and the mythical narratives/tropes preserved in cultural memory that mainly have been transmitted by literary and visual art history. Th ese practices are still alive today through a contemporary Hungarian artwork, Szabolcs Süli-Zakar’s video installation Sisyphus. The experimental artistic approach shows the myth of Sisyphus, which embodies certain insights of existentialism and the absurd, through reappropriation, becoming a specific metacommentary on aesthetic communication and cognition. It also addresses productive expression and reception, while condemned to eternal repetition and the inaccessibility of transcendental sign and meaning. | en |
| dc.description.abstract | This study explores the possible correlations between the aesthetic procedures of artistic re-enactments as a critical re-translations and performative modes of recontextualizing the events of the past and the mythical narratives/tropes preserved in cultural memory that mainly have been transmitted by literary and visual art history. Th ese practices are still alive today through a contemporary Hungarian artwork, Szabolcs Süli-Zakar’s video installation Sisyphus. The experimental artistic approach shows the myth of Sisyphus, which embodies certain insights of existentialism and the absurd, through reappropriation, becoming a specific metacommentary on aesthetic communication and cognition. It also addresses productive expression and reception, while condemned to eternal repetition and the inaccessibility of transcendental sign and meaning. | hu |
| dc.format | application/pdf | |
| dc.identifier.citation | Studia Litteraria, Évf. 63 szám 3–4 (2024): Újrajátszások: Emlékezés, megidézés, átértelmezés a művészetekben , 138–148. | |
| dc.identifier.doi | https://doi.org/10.37415/studia/2024/63/14553 | |
| dc.identifier.eissn | 2063-1049 | |
| dc.identifier.issn | 0562-2867 | |
| dc.identifier.issue | 3–4 | |
| dc.identifier.jatitle | Stud.litt. | |
| dc.identifier.jtitle | Studia Litteraria | |
| dc.identifier.uri | https://hdl.handle.net/2437/376584 | |
| dc.identifier.volume | 63 | |
| dc.language | hu | |
| dc.relation | https://ojs.lib.unideb.hu/studia/article/view/14553 | |
| dc.rights.access | Open Access | |
| dc.title | A kifejezés és befogadás boldog lehetetlensége | hu |
| dc.type | folyóiratcikk | hu |
| dc.type | article | en |
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