“Fun, disturbing and ultimately forgettable”?

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dc.contributor.authorPilný, Ondřej
dc.date.issued2020-06-26
dc.description.abstractThe essay compares the reflections of a translator on the text of Martin McDonagh’s latest play, Hangmen (2015), with the impact of its first production by the Royal Court Theatre in London. It considers the response of multiple reviewers and of the Royal Court and West End audiences and argues that while this may be the first work by McDonagh that features a serious concern—this being the practice of capital punishment and its effect on society—the Royal Court production unduly obscured this aspect of the drama by mostly playing it only for the laughs. (OP)en
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dc.identifier.citationHungarian Journal of English and American Studies, Vol. 23 No. 1 (2017) ,
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue1
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/294917en
dc.identifier.volume23
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7341
dc.rights.accessOpen Access
dc.rights.ownerHungarian Journal of English and American Studies
dc.subjectMartin McDonaghen
dc.subjectHangmenen
dc.subjectIrish theatreen
dc.title“Fun, disturbing and ultimately forgettable”?en
dc.typefolyóiratcikkhu
dc.typearticleen
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Hungarian Journal of English and American Studies (DE-journals)