Sound and the Fury

dc.contributor.authorTallone, Giovanna
dc.date.issued2020-06-26
dc.description.abstractVincent Woods’s play, A Cry from Heaven (2005), is an interesting and provocative rewriting in the twenty-first century of the old legend of Deirdre and the Sons of Uisneach, mainly following the Old Irish version, Longes mac N-Uisleann . Unlike the Deirdre plays of the Revival, it stages and exploits the dramatic cry of Deirdre from her mother’s womb. The play has a mixed nature, it is both a pre-text and an after-text, since Woods manipulates the sources and provides twists and variations recounting his own alternative conclusion. At the same time, the play sheds light on language, words, and speech acts as structuring principles. The essay examines the multiple sources of Woods’s play in order to focus on the structuring power of language which characterises the old legend and which plays a relevant role in A Cry from Heaven . (GT)en
dc.formatapplication/pdf
dc.identifier.citationHungarian Journal of English and American Studies, Vol. 23 No. 1 (2017) ,
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue1
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/294914en
dc.identifier.volume23
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7338
dc.rights.accessOpen Access
dc.rights.ownerHungarian Journal of English and American Studies
dc.subjectVincent Woodsen
dc.subjectA Cry from Heavenen
dc.subjectIrish theatreen
dc.titleSound and the Furyen
dc.typefolyóiratcikkhu
dc.typearticleen
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