Train to Castle Von Aux

dc.contributor.authorMajer , Krzysztof
dc.date.issued2020-06-24
dc.description.abstractWhile deWitt’s writing enjoys commercial and critical success, it has inspired very little academic scrutiny. This is perhaps due to deWitt’s avoidance of Canadian settings and themes in favor of motifs from American popular culture or European folktales. Just as The Sisters Brothers (2011) relied on deWitt’s ironic use of the Western formula, so Undermajordomo Minor (2015) constitutes a playful attempt at rejuvenating several tired genres. In the story of young Lucy Minor’s acquisition of a dubious post at the eerie Castle Von Aux there are unmistakable elements of the Gothic romance, the fable, and the Bildungsroman, all spiced up with a quirky cinematic aesthetic. Equally strong are the echoes of Walser’s Jakob von Gunten , Kafka’s The Castle , and Bernhard’s Gargoyles , themselves richly interconnected. Through these diverse allusions and a curious blurring of geographical and historical boundaries, deWitt creates transgeneric fiction, which may be understood as transnational in the sense assumed by Kit Dobson or Peter Morgan.en
dc.formatapplication/pdf
dc.identifier.citationHungarian Journal of English and American Studies, Vol. 25 No. 2 (2019) ,
dc.identifier.eissn2732-0421
dc.identifier.issn1218-7364
dc.identifier.issue2
dc.identifier.jtitleHungarian Journal of English and American Studies
dc.identifier.urihttps://hdl.handle.net/2437/294801en
dc.identifier.volume25
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/6235
dc.rights.accessOpen Access
dc.rights.ownerHungarian Journal of English and American Studies
dc.subjectPatrick deWitten
dc.titleTrain to Castle Von Auxen
dc.typefolyóiratcikkhu
dc.typearticleen
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