Bridging the Narrative Gap
| dc.contributor.author | Tomczak, Anna Maria | |
| dc.date.issued | 2020-06-24 | |
| dc.description.abstract | The essay reads Marlon James’s A Brief History of Seven Killings (2014) in the context of Walter D. Mignolo’s discussion on “border thinking” and “border gnosis” in Local Histories/Global Designs: Coloniality, Subaltern Knowledges and Border Thinking (2000). Through introducing the narrative voice of Sir Arthur Jennings Marlon James creates a link between past and present, between Caribbean and European tradition of cultures of orality and literacy, and between pre- and post-colonial times, critically engaging in the erasure of thresholds of epistemological location. Specific attention is paid to Sir Arthur’s role as a “duppy” (a ghost or spirit in the religious practice of Obeah) and as a “griot” (an African/Caribbean bard and story-teller) whose function is to narrate and document local histories and guard verbal art traditions of the community. (AMT) | en |
| dc.format | application/pdf | |
| dc.identifier.citation | Hungarian Journal of English and American Studies, Vol. 25 No. 1 (2019) , | |
| dc.identifier.eissn | 2732-0421 | |
| dc.identifier.issn | 1218-7364 | |
| dc.identifier.issue | 1 | |
| dc.identifier.jtitle | Hungarian Journal of English and American Studies | |
| dc.identifier.uri | https://hdl.handle.net/2437/294830 | en |
| dc.identifier.volume | 25 | |
| dc.language | en | |
| dc.relation | https://ojs.lib.unideb.hu/hjeas/article/view/7187 | |
| dc.rights.access | Open Access | |
| dc.rights.owner | Hungarian Journal of English and American Studies | |
| dc.subject | Marlon James | en |
| dc.subject | A Brief History of Seven Killings | en |
| dc.subject | border thinking | en |
| dc.title | Bridging the Narrative Gap | en |
| dc.type | folyóiratcikk | hu |
| dc.type | article | en |
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