The Comoedia Togata, a ‘Roman’ Literary Genre?

dc.creatorRallo, Guiseppe Eugenio
dc.date2020-09-01
dc.descriptionThis paper aims to shed fresh light on the Togata. By analysing the extant fragments, I will investigate if and in what sense it may be defined as a ‘Roman’ literary genre. I will focus on its ‘Roman-ness’, and I will highlight that it is a complex concept, without the ‘nationalistic’ connotations that one normally gives to the notion. I will demonstrate that the Togata is ‘Roman’ because it betrayed an attempt at creating a genre distinguished from the Palliata, and it had a widespread ‘Roman’ patina, with settings, names, and stereotypes which one would not find in other contemporary genres, in particular the Palliata. At the same time, I will also reflect on the fact that the Togata was a multifarious genre, with Latin, Italic, and Greek elements, and I will show that this was, paradoxically, another aspect of its ‘Roman-ness’.
dc.identifierhttps://ojs.lib.unideb.hu/classica/article/view/9732
dc.identifier10.22315/ACD/2020/14
dc.publisherUniversity of Debrecen.
dc.rightsCopyright (c) 2021 Acta Classica Universitatis Scientiarum Debreceniensis
dc.sourceActa Classica Universitatis Scientiarum Debreceniensis; Vol. 56 (2020); 227-245
dc.source2732-3390
dc.source0418-453X
dc.subjectTogata
dc.subjectRoman comedy
dc.subjectRoman literature, identity, and society in mid-Republican Rome
dc.subjectmultilingualism
dc.subjectmulticulturalism
dc.titleThe Comoedia Togata, a ‘Roman’ Literary Genre?
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article
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