ROMANTICIZING RURAL IRELAND ON THE AMERICAN SCREEN: THE QUIET MAN (1952) AND LEAP YEAR (2010)

A tétel rövid nézete
dc.contributor.advisorGula, Marianna
dc.contributor.authorPásku, Adrienn
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2022-01-05T08:09:25Z
dc.date.available2022-01-05T08:09:25Z
dc.date.created2021-11-29
dc.description.abstractI intend to discuss reductive stereotypes in films made by non-Irish filmmakers about Irish culture. The movies I will analyze are The Quiet Man (1952) and Leap Year (2010), both of which idealize romanticize Irish culture and both landscape the west of Ireland in particular. The Quiet Man (1952) and Leap Year (2010) are separated by several decades, therefore I believe they can also be used to analyze whether or not progress regarding the stereotypical portrayal and the romanticization can be seen.hu_HU
dc.description.courseEnglishhu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent22hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/327364
dc.language.isoenhu_HU
dc.subjectcinemahu_HU
dc.subjectIrelandhu_HU
dc.subjectstereotypeshu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleROMANTICIZING RURAL IRELAND ON THE AMERICAN SCREEN: THE QUIET MAN (1952) AND LEAP YEAR (2010)hu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)