A művészi újrajátszás terei, helyei és tájai
| dc.contributor.author | Süli-Zakar, Szabolcs | |
| dc.date.accessioned | 2024-07-22T20:58:12Z | |
| dc.date.available | 2024-07-22T20:58:12Z | |
| dc.date.issued | 2024-06-27 | |
| dc.description.abstract | The paper explores artistic re-enactments through spatial perspectives, rather than temporal ones. Drawing on spatial theories and the “spatial turn” to shed light on the artistic process I analyse four moving image works in the exhibition Re:Re, The Art of Re-enactment, Artistic Re-enactments in MODEM. In the case of Jeremy Deller’s re-enactment of the Battle of Orgreave, for example, the artist transforms the space of power into a place with a unique identity, using its specific history to evoke and dissolve the trauma of the original event. In Irina Botea Bucan’s work, Auditions for a Revolution, temporal and spatial displacement reenacts the original shots and events, revealing the spatial aspects of artistic re-enactment. Lola Arias’s documentary theatre production, Audition for a Demonstration, contextualizes social upheavals, evoking the past to reveal changes in social norms, values, and perspectives from a spatial aspect. Finally, Andrei Maria by Ingela Johansson is a film essay on Tarkovsky’s the Sacrifice, where the airy space of atmosphere and the places of objects floating in space are combined in a montage film. | en |
| dc.description.abstract | The paper explores artistic re-enactments through spatial perspectives, rather than temporal ones. Drawing on spatial theories and the “spatial turn” to shed light on the artistic process I analyse four moving image works in the exhibition Re:Re, The Art of Re-enactment, Artistic Re-enactments in MODEM. In the case of Jeremy Deller’s re-enactment of the Battle of Orgreave, for example, the artist transforms the space of power into a place with a unique identity, using its specific history to evoke and dissolve the trauma of the original event. In Irina Botea Bucan’s work, Auditions for a Revolution, temporal and spatial displacement reenacts the original shots and events, revealing the spatial aspects of artistic re-enactment. Lola Arias’s documentary theatre production, Audition for a Demonstration, contextualizes social upheavals, evoking the past to reveal changes in social norms, values, and perspectives from a spatial aspect. Finally, Andrei Maria by Ingela Johansson is a film essay on Tarkovsky’s the Sacrifice, where the airy space of atmosphere and the places of objects floating in space are combined in a montage film. | hu |
| dc.format | application/pdf | |
| dc.identifier.citation | Studia Litteraria, Évf. 63 szám 3–4 (2024): Újrajátszások: Emlékezés, megidézés, átértelmezés a művészetekben , 16–33. | |
| dc.identifier.doi | https://doi.org/10.37415/studia/2024/63/14546 | |
| dc.identifier.eissn | 2063-1049 | |
| dc.identifier.issn | 0562-2867 | |
| dc.identifier.issue | 3–4 | |
| dc.identifier.jatitle | Stud.litt. | |
| dc.identifier.jtitle | Studia Litteraria | |
| dc.identifier.uri | https://hdl.handle.net/2437/376577 | |
| dc.identifier.volume | 63 | |
| dc.language | hu | |
| dc.relation | https://ojs.lib.unideb.hu/studia/article/view/14546 | |
| dc.rights.access | Open Access | |
| dc.title | A művészi újrajátszás terei, helyei és tájai | hu |
| dc.type | folyóiratcikk | hu |
| dc.type | article | en |
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