The In-Between Man

Abstract

The aim of this study is to reveal a number of features of postcolonial and diaspora identity, primarily through the works of Adam Zameenzad. This author, although mostly unknown to the (Eastern European) academic audience, has managed to create a coherent system of symbols, which, while continuously shifting and changing, represents a remarkable version of diaspora identity. In Zameenzad’s works, diaspora identity appears as a coreless, fragmented thing, in which the only unquestionable feature is never-ceasing change.