Half-Formed Modernism: Eimear McBride’s A Girl is a Half-Formed Thing

dc.creatorWard Sell, Aran
dc.date2020-06-24
dc.descriptionThis paper positions Eimear McBride’s novel A Girl is a Half-Formed Thing (2013) at the vanguard of a resurgent modernism in the 21st-century Irish novel, in the wake of the 2007-08 financial crash. It asserts the value of experimental literature to a country which has awoken from a dream of late capitalist prosperity into a sobering confrontation with late capitalist crisis.McBride’s novel reproduces certain generic characteristics of the historical realism which was the dominant literary mode of Celtic Tiger Ireland. However, it also innovates: McBride’s new, fragmentary adaptation of Joycean stream-of-consciousness navigates its familiar themes through the internal states of its traumatized protagonist.
dc.formatapplication/pdf
dc.identifierhttps://ojs.lib.unideb.hu/hjeas/article/view/7158
dc.languageeng
dc.publisherDebreceni Egyetemi Kiadó
dc.relationhttps://ojs.lib.unideb.hu/hjeas/article/view/7158/6571
dc.rightsCopyright (c) 2019 Hungarian Journal of English and American Studies
dc.sourceHungarian Journal of English and American Studies; Vol. 25 No. 2 (2019)
dc.source2732-0421
dc.source1218-7364
dc.subjectEimear McBride
dc.subjectA Girl is a Half-Formed Thing
dc.subjectIrish literature
dc.titleHalf-Formed Modernism: Eimear McBride’s A Girl is a Half-Formed Thing
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article
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