Umberto Eco e l’Apocalisse

dc.contributor.author	Palazzolo, Giuseppe
dc.date.accessioned	2024-07-22T20:31:06Z
dc.date.available	2024-07-22T20:31:06Z
dc.date.issued	2023-05-22
dc.description.abstract	The Apocalypse is a mythologema that has provided symbolic forms and narrative structures to contemporary literature: Karl Löwith, Frank Kermode, Ernst Bloch are just some of the scholars who have focused on the endurance and productivity of the apocalyptic paradigm in the secular age. Umberto Eco has entertained a long dealing with the Apocalypse, ever since the publication of Apocalypse Postponed. In his essays and novels, the Apocalypse appears as a dispositive of revelation, but also of concealment and falsification (The Name of the Rose), and as a transmedia model of translation and reuse (Beato di Liebana, Enrico Baj, The Mysterious Flame of Queen Loana).	en
dc.format	application/pdf
dc.identifier.citation	Italianistica Debreceniensis, V. 28 (2022) , 146-159
dc.identifier.eissn	2677-1225
dc.identifier.issn	1219-5391
dc.identifier.jatitle	Ital. Debr.
dc.identifier.jtitle	Italianistica Debreceniensis
dc.identifier.uri	https://hdl.handle.net/2437/376222	en
dc.identifier.volume	28
dc.language	it
dc.relation	https://ojs.lib.unideb.hu/itde/article/view/12904
dc.rights.access	Open Access
dc.subject	Umberto Eco	en
dc.subject	Apocalypse	en
dc.subject	Enrico Baj	en
dc.subject	visual studies	en
dc.subject	literary criticism	en
dc.title	Umberto Eco e l’Apocalisse	it
dc.type	folyóiratcikk	hu
dc.type.detailed	idegen nyelvű folyóiratközlemény hazai lapban	hu

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