Italianistica Debreceniensis (DE-journals)
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Tétel Szabadon hozzáférhető Italy between history and historiography. In search of national identity(2024-04-15) Trotta, MarcoStarting from the fundamental studies of the historian Giuseppe Galasso and in the context of a close confrontation with the most experienced European historiography on these topics, the essay reconstructs some issues of the italian national identity through the different guidelines of the historiographical debate from the nineteenth century to today in a comparative and historical setting of european modernity. The centuries-old duration of the events related to the process of formation of the Italian identity, from the tradition of the Roman Empire to the Risorgimento and national independence, passing through the long domination of foreign powers, finally ended with the unification of the peninsula and the state-building in 1861. The most significant terms of the identity discourse are thus affirmed: territory and nation, whose underlying grounds, however, still struggle to find shared reasons for a unitary understanding of the national historical framework. In this respect the category of national identity starts its construction at the time of the Romantic ferments and remains intimately linked to those anthropological traits that would have provided to found in the mid-nineteenth century the community of Italians, finally rejoined under the frame of a new State. Not a single identity, therefore, but a multiplicity of references to the rich, centuries-old Italian cultural heritage, rethought in the light of a decisive season for national destinies.Tétel Szabadon hozzáférhető Tradurre o non tradurre le parole straniere(2023-12-01) Trifone, MaurizioIn the early twentieth century, Gabriele D’Annunzio successfully proposed tramezzino instead of the English sandwich. Equally successful are some proposals formulated by Bruno Migliorini in the 1930s: autista and regista for the French chauffeur and régisseur. However, the original coinages of Arrigo Castellani in 1987 fail to take root: fubbia for smog, guardabimbi for babysitter, intredima for weekend, velopattino for windsurf, and vendistica for marketing. At the beginning of the 2000s, the volume by Giovanardi, Gualdo, and Coco Italian – English 1-1 reopened the debate among scholars. In 2015 the petition “Dillo in italiano”, launched by Annamaria Testa, achieved enormous success and demonstrated the intolerance of a large part of public opinion towards the massive influx of anglicisms. Following the petition, the Accademia della Crusca established the Incipit Group, a group of experts responsible for monitoring the entry of new anglicisms and suggesting possible Italian alternatives. In 2017, the Nuovo Devoto-Oli dictionary included in its lemmary the section Per dirlo in italiano, containing over 200 cards, that trace a brief history of as many English words or phrases that have penetrated Italian, explaining their meaning and context of use and suggesting a possible Italian equivalent. Il Nuovo Devoto-Oli broadly welcomes the most common anglicisms, helping those who do not know their precise meaning; but at the same time it has no reluctance to propose an Italian alternative, in the profound belief that such an approach is helpful to the reader and makes a positive contribution to the Italian language itself.Tétel Szabadon hozzáférhető Le femmine sapute di Anna Banti. Da Artemisia a Il bastardo(2024-04-15) Rivetti, SoniaBetween 1980 and 1981 on the third page of the «Corriere della Sera» Anna Banti published eleven portraits of women painters. The column opens with an article on Sofonisba Anguissola, the author of Autoritratto al cavalletto, a symbol of the reclamation of female identity which calls into question the role assigned to women in the 16th century. It is the culmination of a reflection that began in 1947 with the novel Artemisia. Famous in the news of the time for having been at the center of a rape trial, Artemisia Gentileschi is read as the figure responsible for a talent, the painting, defended at the cost of a loneliness that accompanies her until death. Le donne muoiono is the title of a collection of four stories published in 1951. In the last one, Lavinia fuggita, the theme of vocation returns. In 18th century Venice where composing music was considered a male profession, Lavinia cannot give up the natural inclination to manipulate the scores with jokes of her own invention. The latest female character who refuses to take the traditional way of marriage is Cecilia De Gregorio, protagonist of Il bastardo, the novel published in 1953. Through an austere path but not without doubts, it tells the story of a woman who finds fulfillment in her studies and becomes an engineer head of a companyTétel Szabadon hozzáférhető Umberto Eco e l’Apocalisse(2023-05-22) Palazzolo, GiuseppeThe Apocalypse is a mythologema that has provided symbolic forms and narrative structures to contemporary literature: Karl Löwith, Frank Kermode, Ernst Bloch are just some of the scholars who have focused on the endurance and productivity of the apocalyptic paradigm in the secular age. Umberto Eco has entertained a long dealing with the Apocalypse, ever since the publication of Apocalypse Postponed. In his essays and novels, the Apocalypse appears as a dispositive of revelation, but also of concealment and falsification (The Name of the Rose), and as a transmedia model of translation and reuse (Beato di Liebana, Enrico Baj, The Mysterious Flame of Queen Loana).Tétel Szabadon hozzáférhető Il mareggiare delle lingue tra emigrazione e immigrazione: il caso dell’italiano(2023-05-22) Casini, SimoneThe contribution fits within the existing research on the state of health of Italian abroad. It proposes the preliminary results on the linguistic imagination of a qualitative and quantitative research carried out in Toronto in 2022 that involved 100 informants of Italian origin belonging to different migratory generations. The results of the research highlight the pluralistic value of the linguistic imagination of the informants in which Italian strongly competes with other languages within a space of communicative possibilities. They refer to the traditional Italian language space both in Italy, with dialects, and abroad, with Italiese in the Canadian research context.Tétel Szabadon hozzáférhető La poligenesi del soggetto: da Ovidio al moderno e ritorno(2023-05-22) Scuderi, AttilioThe Essay reconstructs, in a longue durée Perspective, the Polygenetic Process of «the Birth of the Self», from the Classic Theme in Plauto and Ovidio, through Dante, the Medieval commedia elegiaca, and the Humanistic Tradition of “Cantari”, up to the Florentine Scene and the Machiavellian Turn. As a conclusion, the Subject is not a Modern Invention, but a continuous and open Phenomenon of Rediscovery in Western Culture.Tétel Szabadon hozzáférhető Perché leggere i classici francesi: Calvino e la lezione dei maestri d’oltralpe(2023-05-22) Paino, MarinaCalvino’s move to Paris in 1967 marks a new phase of his life, in which, inevitably, contact with French culture becomes closer and more direct. The essay examines the relationship that, during the years in Paris and in those of his return to Italy, the writer weaves with the great French classics, in scattered writings and within the Norton Lectures.Tétel Szabadon hozzáférhető Lo scrutatore e la Scrittura. Appunti sulla Bibbia di Calvino(2023-05-22) Sichera, AntonioLa giornata d’uno scrutatore is a fundamental text in Italo Calvino’s itinerary. It marks a divide between a before and an after. In fact, La giornata is placed between the fairytale Calvino and the ‘cosmicomic’ Calvino as a decisive and scandalous encounter with the reality of the body and with the texts of Scripture, in a strong and almost unthinkable nexus, which makes La giornata d’uno scrutatore a Calvinian unicum. To highlight the connection between the call of the body and the Bible is the task of this essay.Tétel Szabadon hozzáférhető Molnos Péter: A valóság szerelmese. Czene Béla festészete, Budapest, Móra Könyvkiadó, 2022, pp. 464(2023-05-22) Juhász , Bálintreview of Molnos Péter: A valóság szerelmese. Czene Béla festészete, Budapest, Móra Könyvkiadó, 2022, pp. 464.Tétel Szabadon hozzáférhető Health Literacy, Migration Traumas, Narrative Medicine and the Language Desk. New practices in translingualism and educational processes(2024-04-15) Sgaglione, AndreinaHealth literacy (HL) is a complex field encompassing a range of public health education and communication activities that are crucial for interacting with the health care system. In a sustainable world, future healthcare must be accessible to all, and we must ensure that people from migrant backgrounds have got the resources to manage their health. Inequalities in immigrants’ health profiles, a sign of ineffective integration policies, could be mitigated by improving HL levels. The aim of the study was to investigate the space given to HL within formal immigrant learning contexts; the study featured a questionnaire that was intended as a probe into some specific needs and discomforts connected with the condition of translingualism and with the related trauma, which may have a negative impact on language learning. Such interweaving offers a different perspective that generates new teaching practices and the creation of a Language Desk that through language, health literacy and narrative medicine promotes equitable, safe and sustainable learning contexts that enhance the experience of translingualism in all its forms.Tétel Szabadon hozzáférhető La Sardegna dei linguisti e la Sardegna per i turisti: consonanze e dissonanze discorsive a inizio Novecento(2018-12-01) Stefanelli, DiegoThe aim of this contribution is to tackle an already highly researched subject by adopting a fairly unprecedented perspective. I would like to concentrate on the representation of Sardinia in one of the most important historical moments for the construction of the image of the island in a modern perspective: the first decades of the twentieth century. I will try to make two apparently distant text types interact: tourist guides and travel reports written by linguists. I will focus on two prototype examples: on one hand the Reisebilder aus Sardinien by Max Leopold Wagner; on the other, the Touring Club Guide dedicated to Sardinia, written by Luigi Vittorio Bertarelli. My intent is to trace the similarities and differences of the two textual typologies in presenting a region at the time universally imagined (and narrated) as different, atypical and in any case "peculiar". In doing so, I will also try to highlight continuity and discontinuity with respect to the nineteenth-century representative methods.Tétel Szabadon hozzáférhető Apollinaire e Ungaretti: verso la “caduta” della modernità(2023-05-22) Giurdanella, LauraThe relationship of esteem and affinity between Apollinaire and Ungaretti involves both biographical and literary levels. While critics have plentifully probed the direct biographical relationships – starting with the encounter of the poets in 1913 – and followed the progress of their friendship during the years of the First World War, the indirect contacts, i.e. those prior to Ungaretti’s arrival in Paris in 1912, would still seem unexplored. Moreover, over the years, various thematic connections have also been proposed; however, certain other thematic and textual tangencies could still reserve new and profitable insights into their hermeneutic key to modernity.Tétel Szabadon hozzáférhető Foscolo e gli “amici” del Conciliatore(2023-05-22) Italia, SebastianoThe first issue of Conciliatore was published in September 1818; its history includes heated discussions. Silvio Pellico, who was its most consistent proponent, felt himself to be part of a hegemonic intellectual elite. There is a Foscolian mark to the works of these young intellectuals of the new generation. It is the crisis of a generation that comes to attack the very idea of literature that sees the passage from the certainties of the Enlightenment to the Romantic disquiet. The querelle des anciens et des modernes brought to light the unbridgeable hiatus that put Foscolo in a position of contrast with his friends and pupils. The position assumed by the exile risked placing him against his dearest friends, the Romantics, and bringing him closer to his detractors, the Classicists. Foscolo does not manage to see any possibility of experimenting a valid mediation. A clear symptom of his peremptory closure.Tétel Szabadon hozzáférhető I “fatti di Bronte” (1860) e un “monumento” del realismo letterario: Libertà di Giovanni Verga(2023-05-22) Manganaro, AndreaGiovanni Verga’s short story Libertà has often been read as a historical source, and its alleged alterations of the historical events of 1860, the bloody revolt in the town of Bronte, on Mount Etna, and the repression carried out by Garibaldi’s troops led by Nino Bixio (the ‘facts of Bronte’) have been noted, even sharply, with the authority of Leonardo Sciascia. We propose here an interpretation of this short story as a literary “monument”, and not as a “document”, noting the immanent tension towards a “truth content” to which Verga’s realism aspires, with its narrative proxy, the renunciation of authorial judgement, the multiplicity of points of view, the friction that derives from their juxtaposition in the narrative also with respect to the perspectives of the readers, who are necessarily called upon to assume responsibility.Tétel Szabadon hozzáférhető «In piedi, guardando dal finestrino». Memoria, parola, corpo nell’immaginario ferroviario di Leonardo Sciascia(2023-05-22) Schembari, AndreaA disruptive and recurring image in Italian novels and novellas, starting from the mid-nineteenth century, the train assumes, in the work of Leonardo Sciascia, a peculiar function, not simply thematic. Linked to the indelible memory of the first journey of his childhood, the train soon becomes, for the writer from Racalmuto, a topos to resort to for the representation of some of the literary motifs dearest to him: the exercise of memory, the power of the word, the joy of bodies. Through the textual findings considered most significant, the contribution intends to offer a representative exemplification of the arguments proposed.Tétel Szabadon hozzáférhető Utopie egualitarie e riformismo illuminato nella Carestia di Domenico Tempio(2023-05-22) Carta, AmbraLa Carestia of the Sicilian poet Domenico Tempio is an allegorical satirical poem that fits into the tradition of southern enlightened reformism, feeding the utopia of peace and social egalitarianism. The article analyzes some frame of the work to grasp the thrust for the renewal of eighteenth-century poetry, through a stylistic use of the poetic language that oscillates between coloriture markedly expressionist and equally visible traces of formal classicism.Tétel Szabadon hozzáférhető «Odio finanche la lingua che si parla» Potere e libertà in Nottetempo, casa per casa di Vincenzo Consolo(2023-05-22) Traina, GiuseppeThe essay studies the relationships between the novel Nottetempo, casa per casa and the linguistic considerations disseminated by Consolo in other texts. Consolo does not limit himself to criticising the language of fascism but broadens his critical analysis to the language of power as such and the languages of opposition, when they are tainted by empty rhetoric. In this sense, the protagonist’s final escape also takes on a palingenetic value from a political point of viewTétel Szabadon hozzáférhető «Chiudendosi in corpo i propri guai»: il “codice della chiusura” nel Mastro-don Gesualdo(2023-05-22) La Grua, LuigiIn Mastro-don Gesualdo the body and the gesture are the main mean through which Verga’s writing allows the «unveiling» of the characters’ inner life to the reader. This paper aims to describe how the characters of the novel, consistently with the social processes that Verga intends to represent, live a form of closure to communication that finds its most «exact» representation in silence and, concerning the body, in the pose of the turned shoulders.Tétel Szabadon hozzáférhető Un esperimento didattico. Tre parole per Dante: esilio, desiderio, destino(2022-12-01) Tramontana, CarmeloThe article, starting from a brief reflection on Dante’s 2021 anniversary, attempts to offer an overall representation of the author Dante through a concentrated form that mixes scientific precision and brevitas, symbolic concentration and narration; the study therefore presents itself as an experiment that takes place halfway between public discourse and scientific discourse on Dante, in that intermediate area, of equally cultural and political value, which is teachingTétel Szabadon hozzáférhető Spiritismo e Positivismo nella narrativa breve di Luigi Capuana(2021-12-01) Bellinzani, DeboraLuigi Capuana believed in the immortality of the soul as conceived by theosophical theories, as well as in the perceptibility of the manifestations of the spirits. At the same time, his short stories and essays reflect his faith in the positivistic approach and in experimental sciences. During a period that sees the proliferation of seances evoking spirits, Capuana writes his only four short stories that depict the perceptible manifestation of a ghost. In Creazione (1901), La evocatrice and Forze occulte (1902), and Un vampiro (1904), the spirits appear and show a noticeable originality when compared to the ones that haunt contemporary ghost stories. By examining the structure of the mystery through Freud’s “uncanny”, and by exploring the content of the stories through Capuana’s key science concepts, the analysis will demonstrate how the subtraction of mystery as well as the reflection on science create a common literary ground where Spiritism and Positivism can surprisingly coexist. On that ground, the scientific openness to the discoveries of the Twentieth Century emerges with the strength of reassuring ghosts.