Construction of Space in David Cronenberg's Crash
dc.contributor.advisor | Kalmár, György | |
dc.contributor.author | Sallai, Szabolcs | |
dc.contributor.department | DE--TEK--Bölcsészettudományi Kar | hu_HU |
dc.date.accessioned | 2013-06-07T10:30:05Z | |
dc.date.available | 2013-06-07T10:30:05Z | |
dc.date.created | 2009-04-15 | |
dc.date.issued | 2013-06-07T10:30:05Z | |
dc.description.abstract | In my thesis I would like to examine the process of construction of film space, the role of the spectator in this process, and how the method of representation effects on this system in David Cronenberg’s Crash. | hu_HU |
dc.description.course | angol nyelv és irodalom | hu_HU |
dc.description.degree | egyetemi | hu_HU |
dc.format.extent | 33 | hu_HU |
dc.identifier.uri | http://hdl.handle.net/2437/170514 | |
dc.language.iso | en | hu_HU |
dc.rights.access | ip | hu_HU |
dc.subject | psychoanalysis | hu_HU |
dc.subject | films | hu_HU |
dc.subject.dspace | DEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudomány | hu_HU |
dc.title | Construction of Space in David Cronenberg's Crash | hu_HU |
dc.type | diplomamunka |