Mythos als Ursprache

dc.contributor.authorTar, Ibolya
dc.date.accessioned2021-06-28T11:06:41Z
dc.date.available2021-06-28T11:06:41Z
dc.date.issued2020-07-24
dc.description.abstractAfter discussing some interpretations of myth (Burkert, Jensen, Jaspers, Eliade), the paper deals with the issue of myth’s appearance in literary works. The essential substance of a myth can appear in several treatments, according to the artist’s intention with regard to several interpretations. After a short survey of allegorical interpretations two myths (Orpheus and Eurydice, the golden age) are discussed in their several variations. In connection with the myth of the golden age Vergil’s works are examined to see whether in the Aeneid in particular he created a new myth or rather recreated the myth. In connection with this problem the distinction made between fable and sujet by the Russian formalists is discussed. In answer to the question whether a myth in its artistical appearance can be expressed verbally, Rilke and Hölderlin are cited.en
dc.formatapplication/pdf
dc.identifier.citationActa Classica Universitatis Scientiarum Debreceniensis, Vol. 50 (2014) , 33–44
dc.identifier.eissn2732-3390
dc.identifier.issn0418-453X
dc.identifier.jatitleActa Class. Univ. Sci. Debr.
dc.identifier.jtitleActa Classica Universitatis Scientiarum Debreceniensis
dc.identifier.urihttps://hdl.handle.net/2437/317289en
dc.identifier.volume50
dc.languageen
dc.relationhttps://ojs.lib.unideb.hu/classica/article/view/7982
dc.rights.accessOpen Access
dc.rights.ownerActa Classica Universitatis Scientiarum Debreceniensis
dc.subjectmythen
dc.subjectallegoryen
dc.subjectOrpheus and Eurydiceen
dc.subjectgolden ageen
dc.subjectmodern reflectionsen
dc.titleMythos als Urspracheen
dc.typefolyóiratcikkhu
dc.typearticleen
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