Гротеск и парадокс: женский и мужской нарративы в романах Виктора Ерофеева

dc.contributor.author	Сабо, Тюнде
dc.date.accessioned	2024-07-22T21:01:11Z
dc.date.available	2024-07-22T21:01:11Z
dc.date.issued	2024-09-10
dc.description.abstract	This paper examines the narrative dynamics of two novels by Victor Erofeyev. The female discourse of Russian Beauty is characterized by the vertical dynamics of grotesque, while the discourse of the autobiographical narrator of Good Stalin is characterized by the dynamics of paradox, a horizontal movement between opposing truths. In both novels the Soviet aesthetic canon is undermined through the dynamics of narrative that denies the possibility of a singular truth.	en
dc.format	application/pdf
dc.identifier.citation	Slavica, Том 53 (2024) ,
dc.identifier.doi	https://doi.org/10.31034/053.2024.13
dc.identifier.eissn	2732-0146
dc.identifier.issn	0583-5356
dc.identifier.jatitle	Slavica
dc.identifier.jtitle	Slavica
dc.identifier.uri	https://hdl.handle.net/2437/376628	en
dc.identifier.volume	53
dc.language	ru
dc.relation	https://ojs.lib.unideb.hu/slavica/article/view/14444
dc.rights.access	Open Access
dc.rights.owner	Slavica
dc.subject	The Russian Beauty	en
dc.subject	Good Stalin	en
dc.subject	narrative dynamics	en
dc.subject	grotesque	en
dc.subject	paradox	en
dc.title	Гротеск и парадокс: женский и мужской нарративы в романах Виктора Ерофеева	ru
dc.type	folyóiratcikk	hu
dc.type.detailed	idegen nyelvű folyóiratközlemény hazai lapban	hu

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