Spekulatív fikció, határmunkálatok, műfaji olvasás
| dc.contributor.author | Bárány, Tibor | |
| dc.date.accessioned | 2023-02-21T08:48:14Z | |
| dc.date.available | 2023-02-21T08:48:14Z | |
| dc.date.issued | 2022-12-15 | |
| dc.description.abstract | A philosophical account of genre and of the criteria for genre-membership should explain at least five empirical facts: (i) genres may change over time, so genres have histories, (ii) membership in categories of genre is determined by a cluster of non-essential criteria, (iii) a work’s membership of a genre can affect its interpretation, and (iv) may significantly influence the aesthetic value we ascribe to it, (v) a one-to-many relationship occurs between works and genres, which is sometimes defined by conflicting principles (see hierarchies of genres, hybrid genres etc.). In this paper I examine how well some recent philosophical theories of genre can do this explanatory job – namely, Simon J. Evnine’s view of genres as traditions (i.e., temporally extended particulars), Gregory Currie’s conception of “genres for a community” and “dynamical genres”, Enrico Terrone’s cluster account of genres, and Catharine Abell’s Gricean theory of genres, according to which genre-membership is partly determined by the autor’s and audience’s common knowledge of the purpose characteristic of the genre. | en |
| dc.description.abstract | A philosophical account of genre and of the criteria for genre-membership should explain at least five empirical facts: (i) genres may change over time, so genres have histories, (ii) membership in categories of genre is determined by a cluster of non-essential criteria, (iii) a work’s membership of a genre can affect its interpretation, and (iv) may significantly influence the aesthetic value we ascribe to it, (v) a one-to-many relationship occurs between works and genres, which is sometimes defined by conflicting principles (see hierarchies of genres, hybrid genres etc.). In this paper I examine how well some recent philosophical theories of genre can do this explanatory job – namely, Simon J. Evnine’s view of genres as traditions (i.e., temporally extended particulars), Gregory Currie’s conception of “genres for a community” and “dynamical genres”, Enrico Terrone’s cluster account of genres, and Catharine Abell’s Gricean theory of genres, according to which genre-membership is partly determined by the autor’s and audience’s common knowledge of the purpose characteristic of the genre. | hu |
| dc.format | application/pdf | |
| dc.identifier.citation | Studia Litteraria, Évf. 61 szám 3–4 (2022): Új tendenciák a kortárs magyar irodalomban , 175–197. | |
| dc.identifier.eissn | 2063-1049 | |
| dc.identifier.issn | 0562-2867 | |
| dc.identifier.issue | 3–4 | |
| dc.identifier.jatitle | Stud.litt. | |
| dc.identifier.jtitle | Studia Litteraria | |
| dc.identifier.uri | https://hdl.handle.net/2437/346472 | en |
| dc.identifier.volume | 61 | |
| dc.language | hu | |
| dc.relation | https://ojs.lib.unideb.hu/studia/article/view/12140 | |
| dc.rights.access | Open Access | |
| dc.rights.owner | studia | |
| dc.title | Spekulatív fikció, határmunkálatok, műfaji olvasás | hu |
| dc.type | folyóiratcikk | hu |
| dc.type | article | en |
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