Freud and the Representation of Psychoanalysis in Contemporary Literature and Cinema

dc.contributor.advisorGyörke, Ágnes
dc.contributor.authorBaráth, Dóra
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2017-05-23T13:38:11Z
dc.date.available2017-05-23T13:38:11Z
dc.date.created2017-04-12
dc.description.abstractIn my thesis, I argue that the question of superiority and authority became more significant for Freud than making the correct diagnosis. His assumption was that some traumas are so deeply embedded in our mind that we do not even know what is at fault, we only sense the external signs. I took a look at the cinematic representation of mental illness. Furthermore, I briefly explored his relationship with literature. I also used Michel Foucault's Madness and Civilization. I compared two contemporary works that criticize Freud's psychoanalytic theory.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent27hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/240814
dc.language.isoenhu_HU
dc.subjectpsychoanalysishu_HU
dc.subjectFreudhu_HU
dc.subjectauthorityhu_HU
dc.subjectWhite Hotelhu_HU
dc.subjectA Dangerous Methodhu_HU
dc.subject.dspaceDEENK Témalista::Pszichológiahu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleFreud and the Representation of Psychoanalysis in Contemporary Literature and Cinemahu_HU
dc.typediplomamunka
Fájlok