Dissecting Ourselves

dc.contributor.advisorNémeth, Lenke
dc.contributor.authorBence, Ádám
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-12-14T10:01:13Z
dc.date.available2015-12-14T10:01:13Z
dc.date.created2015-12-13
dc.description.abstractBoth Arthur Miller and Sam Shepard drew heavily on their own experiences when they created their distinctive and unique theatre. In my paper I examine how they unravel the backbone of contemporary American society, the minimal sustainable unit, the family through investigating how the family secret, the crisis of the role of men, women and outsiders within the family affect the integrity of the familiar unit. I will also address how Miller and Shepard took on and developed Ibsen's well-made play format.hu_HU
dc.description.correctorBK
dc.description.courseAmerikanisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent38hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/220608
dc.language.isoen_UShu_HU
dc.rightsCC0 1.0 Universal*
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.subjectMillerhu_HU
dc.subjectShepard
dc.subjectdisintegration
dc.subjectfamily
dc.subjectdrama
dc.subjectAmerican
dc.subjectsociety
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleDissecting Ourselveshu_HU
dc.title.subtitleThe Disintegration of the Family in Arthur Miller's The Ride Down Mt. Morgan and Sam Shepar's Buried Childhu_HU
dc.title.translatedMagunk boncolásahu_HU
dc.typediplomamunka
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