Salman Rushdie The Satanic Verses

dc.contributor.advisorGyörke, Ágnes
dc.contributor.authorLudányi, Melinda
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-07-02T13:06:13Z
dc.date.available2013-07-02T13:06:13Z
dc.date.created2008-04-15
dc.date.issued2013-07-02T13:06:13Z
dc.description.abstractIn my thesis, I interpret this “quest for wholeness” (397) as Gibreel’s and Saladin’s attempts of finding their identities, and I argue that through the two men’s allegory of their identity search, the novel itself explores how the process of identification works in the postmodern and postcolonial world. In addition, while I examine relations between the protagonists and other characters, since according to Homi Bhabha “identification is a process of identifying with and through another object, an object of otherness” (“The Third Space”, 211), I also examine certain spatial positions, symbols related to space, and certain motions in space, because these motifs seem to be unavoidable in a novel which main objective is self-definition, i.e. positioning itself or the characters in the world.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent31hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/171712
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectidentityhu_HU
dc.subjectidentificationhu_HU
dc.subjectexistentialismhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleSalman Rushdie The Satanic Verseshu_HU
dc.title.subtitleThe "Satanic Quest" for Identityhu_HU
dc.typediplomamunka
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