Oscar Wilde's The Picture of Dorian Gray

A tétel rövid nézete
dc.contributor.advisorBényei, Tamás
dc.contributor.authorNagy, Veronika
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-22T15:12:28Z
dc.date.available2013-05-22T15:12:28Z
dc.date.created2009-04-06
dc.date.issued2013-05-22T15:12:28Z
dc.description.abstractOscar Wilde believed that England was the home of lost ideas. Artists became interested in ideas like dreams, the occult, mysticism, death, decay, madness, darkness, illness, uncertainty, fetishism, eroticism and self-love, anything that is out of the ordinary. All these ideas determine the personality of Dorian Gray, who is the ultimate product of the sick society around him. He becomes a double indentity: a youthful person with innocent beauty all over him, and a "portrait (that) changes to reflect its subject’s every vice and profligacy"(Berman 143), which shows the amoral and bizarre monster shaped by his own sins. His degeneration, started by those around him, ends in the total amoral sinking of himself into a sinful state of terror.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent26hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169025
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectself-analysishu_HU
dc.subjectliteraturehu_HU
dc.subjectdecadencehu_HU
dc.subjectart and lifehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleOscar Wilde's The Picture of Dorian Grayhu_HU
dc.title.subtitleThe Portrait of a Double Identity in the Age of Decadencehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)