The Dehumanizing Effects of the 1920s in Elmer Rice's The Adding Machine and in Eugene O'Neills The Hairy Ape

dc.contributor.advisorBíróné Nagy, Katalin
dc.contributor.authorNánási, Tímea
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-28T09:02:11Z
dc.date.available2013-05-28T09:02:11Z
dc.date.created2009-04-08
dc.date.issued2013-05-28T09:02:11Z
dc.description.abstractMany writers and artist started to realize from the early 1920s, that their age is slowly becoming ruled by newly invented machines. Many people from the working class could even be replaced by a simple newly invented machine. To demonstrate my point, I have chosen two famous dramas from the 1920s, which try to emphasize the decade’s dehumanizing pressures on the people. My focus will be on the hardships of the modern world and the traps of monotonous work and the chance of becoming meaningless in the community.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent22hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169460
dc.language.isoenhu_HU
dc.rights.accessclosed_networkhu_HU
dc.subjectAmerican literaturehu_HU
dc.subject1920shu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleThe Dehumanizing Effects of the 1920s in Elmer Rice's The Adding Machine and in Eugene O'Neills The Hairy Apehu_HU
dc.typediplomamunka
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