Philip Larkin’s Poetic Voices and the Symbol of Photography in “Lines on a Young Lady’s Photograph Album”

dc.contributor.advisorRácz, István
dc.contributor.authorFarkas, Orsolya
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2021-05-17T14:15:27Z
dc.date.available2021-05-17T14:15:27Z
dc.date.created2021-04-25
dc.description.abstractThe first part of this thesis analyses Philip Larkin’s poem, “Lines on a Young Lady’s Photograph”, in a more detailed way and differentiate two voices: the masculine and the feminine. The second part discusses the possibility of why these voices developed in Larkin’s works and the importance of photography as a symbol and in general in the poem mentioned above. Philip Larkin’s poetry is often defined as direct, harsh, and lucid, but it also considers arcane areas and vaguenesses of thought. Any poem of Larkin’s cannot be fully interpreted linearly without losing what arouses buried in the syntactical and the adopted vocabulary contortions. Reasoning and rationality are sometimes assigned to support the intellectual journeys that Larkin’s poetical personae find themselves involved in. Thinking, reasoning, and imagination predominate throughout poems in which the poet tries to manifest an appreciation of and knowledge of the existential state. The thesis argues that Larkin’s work is preoccupied with interpreting mental and psychological deepness through the inseparable, on the level of meaning, masculine and feminine voices.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent32hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/309790
dc.language.isoenhu_HU
dc.subjectPhilip Larkinhu_HU
dc.subjectPoetryhu_HU
dc.subjectLines on a Young Lady's Photographhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titlePhilip Larkin’s Poetic Voices and the Symbol of Photography in “Lines on a Young Lady’s Photograph Album”hu_HU
dc.typediplomamunka
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