The Representation of Cholera and China in W. Somerset Maugham’s The Painted Veil and in John Curran’s Film Adaptation

A tétel rövid nézete
dc.contributor.advisorUreczky, Eszter
dc.contributor.authorGyérmán, Dávid
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2021-05-19T06:18:03Z
dc.date.available2021-05-19T06:18:03Z
dc.date.created2021
dc.description.abstractThrough W. Somerset Maugham’s The Painted Veil and in John Curran’s film adaptation, I intend to give an insight into how cultural stereotypes determine Europeans about China and how their perception alters. Besides, a not too direct comparison between the images of death in the colonies and in the more developed parts of the world will be provided. What is more, the representation of cholera (mainly in the film adaptation) will also be discussed.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent24hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/309920
dc.language.isoen_UShu_HU
dc.subjectcholerahu_HU
dc.subjectdeathhu_HU
dc.subjectChinahu_HU
dc.subjectThe painted veilhu_HU
dc.subjectW. Somerset Maughamhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleThe Representation of Cholera and China in W. Somerset Maugham’s The Painted Veil and in John Curran’s Film Adaptationhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)