Apparitions and family ties

dc.contributor.advisorBényei, Tamás
dc.contributor.authorRácz, Edina
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2021-01-04T14:57:21Z
dc.date.available2021-01-04T14:57:21Z
dc.date.created2020-12-11
dc.description.abstractThe discussed Neo-Victorian works, John Harwood’s The Séance (2008) and Sarah Waters’s Affinity (1999) aim to reimagine and rediscover Victorian culture, in order to unveil the manners in which this period continues to influence our ideals and values in the present. Trends in contemporary criticism shifted towards the idea of hauntology, the study of the past and its subsequent effects on individuals, societies or even ideologies. In literature, novels are often revisiting times that are long past, not only as a form of escapism, but also to uncover what was before considered unspeakable. In history, historicists have grown aware of the importance of historical context, thus seeing current events in the light of continuity, as a result of occurrences of the past. These grand ideas are placed into motion through the ideal of the Victorian family, and mystified through the curtain of spiritualism, which plays a significant role in the novels that the thesis will take into consideration.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent39hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/300775
dc.language.isoenhu_HU
dc.subjectNeo-Victorianismhu_HU
dc.subjectHauntologyhu_HU
dc.subjectHistoricismhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleApparitions and family tieshu_HU
dc.title.subtitleHauntology and history in John Harwood's The Séance (2008) and Sarah Waters's Affinity (1999)hu_HU
dc.typediplomamunka
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