Beyoncé: The Voice of Black Feminism in the Contemporary Music Industry

A tétel rövid nézete
dc.contributor.advisorGyörke, Ágnes
dc.contributor.authorPázmány, Enikő
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2017-05-23T13:37:39Z
dc.date.available2017-05-23T13:37:39Z
dc.date.created2017-04-12
dc.description.abstractIn my thesis, I argue that Beyoncé built up a strong image for herself throughout the years which transmits the messages of feminism and human rights activism. The singer identifies and describes discrimination and takes a nation’s shared pain to offer a deeper understanding and gathers the unheard voices and cries to offer healing and tranquility. I analyzed some of the songs of R&B girl group Destiny's Child. Then I concentrated on the solos career of the singer. I took a look at the first instances when she talked about the black woman experience. Lastly, I described her latest album to prove the statement that beyoncé is a feminist.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent28hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/240813
dc.language.isoen_UShu_HU
dc.subjectfeminismhu_HU
dc.subjectAfrican-Americanhu_HU
dc.subjectBeyoncehu_HU
dc.subject.dspaceDEENK Témalista::Társadalomtudományokhu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleBeyoncé: The Voice of Black Feminism in the Contemporary Music Industryhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)