Venice, Space and the Self in Jeanette Winterson’s The Passion and in Ian McEwan’s The Comfort of Strangers

A tétel rövid nézete
dc.contributor.advisorGyörke, Ágnes
dc.contributor.authorOlah, Andrea
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-04-13T07:10:14Z
dc.date.available2015-04-13T07:10:14Z
dc.date.created2015
dc.description.abstractVenice has always been a source of interest among people who want to analyse the mysteries of an enigmatic city and who want to be amused by the endless possibilities that the city can offer. In my thesis, I discuss Venice and its influence on the protagonists, focusing on how they change mentally or physically, and on the function of maps in Ian McEwan’s The Comfort of Strangers and Jeanette Winterson’s The Passion. I argue that on the basis of comparison both texts have similar features regarding the city structure, Venice’s influence on lives and the uselessness of maps.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent27hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/209042
dc.language.isoenhu_HU
dc.rightsNevezd meg! - Ne add el! - Ne változtasd! 2.5 Magyarország*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.5/hu/*
dc.subjectVenicehu_HU
dc.subjectmaps
dc.subjectself
dc.subjectcharacter development
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleVenice, Space and the Self in Jeanette Winterson’s The Passion and in Ian McEwan’s The Comfort of Strangershu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)