Mirrors and Reflections in Jane Campion's The Piano

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorBalázs, Boglárka
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-06-14T06:57:21Z
dc.date.available2013-06-14T06:57:21Z
dc.date.created2008-04-15
dc.date.issued2013-06-14T06:57:21Z
dc.description.abstractSeveral theoretical discourses take up the question of mirrors and reflections based on ancient myths and various works of art; the presence of duality and various repetitive motifs, the myth of Narcissus, the bondage between mothers and daughters, and numerous other themes are all approached by these theories. However, I chose to represent these themes within Jane Campion’s most successful film, The Piano. What is interesting about this film is that the director represents these strongly visual motifs via the medium of the film, in a way that she is able to deconstruct several patriarchal imprints that are based mostly on images exactly through a pictorial framework.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent51hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/170866
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectfilm studieshu_HU
dc.subjectgender studieshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleMirrors and Reflections in Jane Campion's The Pianohu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)