Emocionális nagyvárosi terek: Atmoszféra, bűvölet és fantazmagória Sunetra Gupta The Glassblower’s Breath című regényében

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dc.creatorPataki, Éva
dc.date2016-07-01
dc.date.accessioned2020-09-11T08:38:24Z
dc.date.available2020-09-11T08:38:24Z
dc.descriptionInvestigating the literary representation of urban spaces and identities, my paper untangles the complex psychological and emotional relationship between the heroine and her beloved and hated cities in Sunetra Gupta’s The Glassblower’s Breath (1993). Drawing on Gernot Böhme’s (1993) theory of the atmospheric qualities of space, Steve Pile’s psychogeographical approach to reading cities, Walter Benjamin’s concept of phantasmagoria and various interpretations of fascination, the paper explores the creation of atmospheres in the novel and the role of fascination in the perception of London and Gupta’s female protagonist as phantasmagorias. I argue that – as urban imaginaries – the emotional fabric and atmosphere of the cities portrayed are as much created by their spaces and places, their inhabitants and visitors, as are manifested and formulated in emotional states of being, whether real or fictional, phantasmagoric or imaginary.
dc.descriptionInvestigating the literary representation of urban spaces and identities, my paper untangles the complex psychological and emotional relationship between the heroine and her beloved and hated cities in Sunetra Gupta’s The Glassblower’s Breath (1993). Drawing on Gernot Böhme’s (1993) theory of the atmospheric qualities of space, Steve Pile’s psychogeographical approach to reading cities, Walter Benjamin’s concept of phantasmagoria and various interpretations of fascination, the paper explores the creation of atmospheres in the novel and the role of fascination in the perception of London and Gupta’s female protagonist as phantasmagorias. I argue that – as urban imaginaries – the emotional fabric and atmosphere of the cities portrayed are as much created by their spaces and places, their inhabitants and visitors, as are manifested and formulated in emotional states of being, whether real or fictional, phantasmagoric or imaginary.
dc.formatapplication/pdf
dc.identifierhttps://ojs.lib.unideb.hu/studia/article/view/4064
dc.identifier10.37415/studia/2016/3-4/121–134.
dc.identifier.urihttp://hdl.handle.net/2437/295886
dc.languagehun
dc.publisherDebreceni Egyetemi Kiadó
dc.relationhttps://ojs.lib.unideb.hu/studia/article/view/4064/3929
dc.rightsCopyright (c) 2016 Studia Litteraria
dc.sourceStudia Litteraria; Vol. 55 No. 3-4 (2016): Angolszász világok; 121–134.
dc.sourceStudia Litteraria; Évf. 55 szám 3-4 (2016): Angolszász világok; 121–134.
dc.source2063-1049
dc.source0562-2867
dc.titleEmocionális nagyvárosi terek: Atmoszféra, bűvölet és fantazmagória Sunetra Gupta The Glassblower’s Breath című regényében
dc.titleEmocionális nagyvárosi terek: Atmoszféra, bűvölet és fantazmagória Sunetra Gupta The Glassblower’s Breath című regényében
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
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