The recycling of a genre in late Victorian Gothic tales and Roald Dahl's 'Tales of the Unexpected'

A tétel rövid nézete
dc.contributor.advisorBényei, Tamás
dc.contributor.authorLiktor, Eszter
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-08T13:35:47Z
dc.date.available2013-03-08T13:35:47Z
dc.date.created2010-04-14
dc.date.issued2013-03-08T13:35:47Z
dc.description.abstractI am proposing a detailed examination of the presence and the handling of the topics that I have designated above as common thematic concerns to Victorian Gothic and Roald Dahl’s fiction: Fate, haunting, the encounter with the Other and the relation of science to nature. It is not by accident that I do not make lengthy claims on the historical origins of the genre, and I make absolutely no attempt to read either Victorian authors or Dahl as (in)sufficient reproducers of some obligatory model. All I attempt to do is find out how the Gothic as “an imperceptible catalyst” (Modern gothic: a reader 2) functions in a bunch of texts that are either contemporary or at least already detached from the historical embededness of the genre.hu_HU
dc.description.correctorBK
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent38hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/161689
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectgótikus irodalomhu_HU
dc.subjectdekadenciahu_HU
dc.subjectRoald Dahlhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleThe recycling of a genre in late Victorian Gothic tales and Roald Dahl's 'Tales of the Unexpected'hu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)