Salman Rushdie's Imaginary Mirror

A tétel rövid nézete
dc.contributor.advisorBényei, Tamás
dc.contributor.authorBerecz, Vivien Andrea
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2021-05-18T08:01:12Z
dc.date.available2021-05-18T08:01:12Z
dc.date.created2021-04-13
dc.description.abstractIn this paper, I highlight the interconnectedness of postmodernism (with the focus on poststructuralism), postcolonialism, and magical realism, suggesting that the two modes meet in Midnight’s Children. I give insights into Rushdie’s novel through these different modes of literary and cultural criticism to emphasize the impossibility of a one-sided analysis. As it must be considered through different filters of interpretation, so the novel can be understood on multiple levels, because, just as India and its people, the narrative presents a world which is divided, multicultural and complex.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent33hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/309825
dc.language.isoenhu_HU
dc.subjectMidnight's Childrenhu_HU
dc.subjectPostmodernismhu_HU
dc.subjectPostcolonialismhu_HU
dc.subjectPoststructuralismhu_HU
dc.subjectMagical Realismhu_HU
dc.subjectSalman Rushdiehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleSalman Rushdie's Imaginary Mirrorhu_HU
dc.title.subtitleThe Convergence of Postmodern and Postcolonial Tendencies Through Magical Realism in Salman Rushdie’s Midnight’s Childrenhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)