Sexuality, Violence and History in Television Series

A tétel rövid nézete
dc.contributor.advisorGyőri, Zsolt
dc.contributor.authorSzabó, Anett
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-03-26T09:17:08Z
dc.date.available2015-03-26T09:17:08Z
dc.date.created2015-03-23
dc.description.abstractThe object of this paper is twofold: I shall explore these series within two basic analytical contexts. In the first section, I will compare and contrast the public service broadcasting and commercial broadcasting practices. I will concentrate on the most obvious differences and the underlying principles of the two systems: the representation of sexuality and violence in the four programmes. In the second half of the thesis paper I shall analyze how contemporary history and narrative theory appear in the series and how history is depicted in them. I will try to determine which major tendency do the series follow, which function – of Király Jenő’s– do they fulfil and how they reinterpret history as a narrative; whether they extend, rewrite or embellish historiography.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent46hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/208518
dc.language.isoenhu_HU
dc.subjectdraculahu_HU
dc.subjecthistoryhu_HU
dc.subjectromehu_HU
dc.subjectthe tudorshu_HU
dc.subjecttv serieshu_HU
dc.subjectvikingshu_HU
dc.subject.dspaceDEENK Témalista::Társadalomtudományokhu_HU
dc.titleSexuality, Violence and History in Television Serieshu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)