Neo-Victorianism and Hauntology in Paula Marantz Cohen's What Alice Knew: A Most Curious Tale of Henry James & Jack the Ripper (2010)

A tétel rövid nézete
dc.contributor.advisorGyörke, Ágnes
dc.contributor.authorRácz, Edina
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2018-05-28T12:04:50Z
dc.date.available2018-05-28T12:04:50Z
dc.date.created2018-04-11
dc.description.abstractA rising number of literary works have been published in the last few decades which concentrate on the Victorian age. These recent novels are called Neo-Victorian, and there is a growing field of study that explores the interpretation of these works. Beside Neo-Victorianism, another relatively recent theory is hauntology, which has its roots in Jacques Derrida’s studies, and seemingly has its own common ground with Neo-Victorianism. My aim in this thesis is to gain a more in-depth knowledge about Neo-Victorianism, hauntology and the Jack the Ripper killings in order to be able to better examine these separate topics when they cross each other in literary texts, particularly my chosen novel, Paula Marantz Cohen’s What Alice Knew: A Most Curious Tale of Henry James & Jack the Ripper.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent26hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/252859
dc.language.isoenhu_HU
dc.subjectNeo-Victorianismhu_HU
dc.subjecthauntology
dc.subjectJack the Ripper
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleNeo-Victorianism and Hauntology in Paula Marantz Cohen's What Alice Knew: A Most Curious Tale of Henry James & Jack the Ripper (2010)hu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)