Violence and Transgression in J. G. Ballard's Postmillennial Fiction

A tétel rövid nézete
dc.contributor.advisorBényei, Tamás
dc.contributor.authorSzökőcs, Róbert
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-03-31T07:25:10Z
dc.date.available2015-03-31T07:25:10Z
dc.date.created2015-03-30
dc.description.abstractMy central thesis, around which the various questions I explore revolve, is that in his postmillennial fiction Ballard suggests that the idea of an affluent and peaceful society is but a fantasy, an illusion whose realization is impossible due to the irreconcilability of the instinctual drives of individuals and the constraints which are inevitably imposed on them within a community. Narrowing down my scope of analysis, I am going to focus on certain dimensions of Cocaine Nights and Super-Cannes, drawing mainly on Jean Baudrillard’s social philosophy, Freudian psychoanalysis, as well as Georges Bataille’s and Slavoj Žižek’s cultural theories.hu_HU
dc.description.courseAnglisztika MAhu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent38hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/208618
dc.language.isoenhu_HU
dc.subjectBallardhu_HU
dc.subjecttransgressionhu_HU
dc.subjectviolencehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleViolence and Transgression in J. G. Ballard's Postmillennial Fictionhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)