Siete voi qui, ser Brunetto?». I volti di Brunetto Latini: rappresentazione e autorappresentazione

A tétel rövid nézete
dc.contributor.authorÓtott, Noemi
dc.date.issued2017-12-01
dc.description.abstractAs in portrait (attributed to Giotto) of Brunetto Latini and Dante Alighieri, history has tended to pair the two poets, who were both exiled from their native Florence. The role played by Brunetto Latini in Florence’s history paralleled that of the orator Cicero in Republican Rome and Dante, his student, was Florence’s Virgil. The famous “Brunetto’s Song” (Canto XV of Inferno) has generated many controversies, determined and justified by an uninterrupted and secular reflection. The encounter between the protagonist-traveler and his master has great importance also from the point of view of the creation of The Divine Comedy. But the old florentine intellectual does not only appear in this canto: in fact, he is the author and, at the same time, the protagonist of the famous opera Il Tesoretto, a didactic-allegorical poem written in volgare. In my study I focus on the figure of Brunetto Latini and on his representation by Dante. At first I examine the protagonist Latini: how he appears in the canto and what his part is in The Divine Comedy. Then I concentrate on the author Latini and I try to identify the poet’s voices in the texts and descriptions according to the context.en
dc.description.abstractAs in portrait (attributed to Giotto) of Brunetto Latini and Dante Alighieri, history has tended to pair the two poets, who were both exiled from their native Florence. The role played by Brunetto Latini in Florence’s history paralleled that of the orator Cicero in Republican Rome and Dante, his student, was Florence’s Virgil. The famous “Brunetto’s Song” (Canto XV of Inferno) has generated many controversies, determined and justified by an uninterrupted and secular reflection. The encounter between the protagonist-traveler and his master has great importance also from the point of view of the creation of The Divine Comedy. But the old florentine intellectual does not only appear in this canto: in fact, he is the author and, at the same time, the protagonist of the famous opera Il Tesoretto, a didactic-allegorical poem written in volgare. In my study I focus on the figure of Brunetto Latini and on his representation by Dante. At first I examine the protagonist Latini: how he appears in the canto and what his part is in The Divine Comedy. Then I concentrate on the author Latini and I try to identify the poet’s voices in the texts and descriptions according to the context.it
dc.formatapplication/pdf
dc.identifier.citationItalianistica Debreceniensis, V. 23 (2017) , 96-107
dc.identifier.doihttps://doi.org/10.34102/italdeb/2017/4642
dc.identifier.eissn2677-1225
dc.identifier.issn1219-5391
dc.identifier.jatitleItal. Debr.
dc.identifier.jtitleItalianistica Debreceniensis
dc.identifier.urihttps://hdl.handle.net/2437/280540en
dc.identifier.volume23
dc.languageit
dc.relationhttps://ojs.lib.unideb.hu/itde/article/view/4642
dc.rights.accessOpen Access
dc.subjectbrunetto latinien
dc.subjectdivina commediaen
dc.subjectselfrepresentationen
dc.subjectdanteen
dc.subjectitalian literatureen
dc.subjectbrunetto latiniit
dc.subjectdivina commediait
dc.subjectautorappresentazioneit
dc.subjectdanteit
dc.subjectletteratura italianait
dc.titleSiete voi qui, ser Brunetto?». I volti di Brunetto Latini: rappresentazione e autorappresentazioneit
dc.typefolyóiratcikkhu
dc.typearticleen
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