Normalcy and Deviance in the Symbolic Spaces of Buried Child

dc.contributor.advisorVarró, Gabriella
dc.contributor.authorÁdám, András Bence
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-25T07:01:51Z
dc.date.available2013-01-25T07:01:51Z
dc.date.created2011-04-15
dc.date.issued2013-01-25T07:01:51Z
dc.description.abstractSam Shepard is inarguably one of the most influential (and successful) contemporary American playwrights, if not the most influential one. Although he hails from Illinois, the American heartland, through his symbolism it becomes clear that he is concerned with questions which bear an impact on the whole country, not just his region. Shepard addresses numerous problems, like the failure of the American Dream, the dysfunction of the American family, but perhaps most importantly with the deterioration of traditional American values. [...] Decline is present in almost all of Shepard’s plays. It is usually some kind of imperfection, deviance, or aberration from the normal that signals this deterioration. Buried Child (1978), perhaps his most canonized work, the piece which won him the 1979 Pulitzer Prize for Drama, is a play that demonstrates this deviance excellently, since it is a text richly imbued with images of corruption. Decay is present on almost all layers of the drama: in the setting, in the characters, in the themes and motifs the play deals with.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeBschu_HU
dc.format.extent31hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156841
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectSam Shepardhu_HU
dc.subjectBuried Childhu_HU
dc.subjectdeviance vs normalcyhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.subject.dspaceDEENK Témalista::Társadalomtudományokhu_HU
dc.titleNormalcy and Deviance in the Symbolic Spaces of Buried Childhu_HU
dc.typediplomamunka
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