Breaking the Frame

A tétel rövid nézete
dc.contributor.advisorGula, Marianna
dc.contributor.authorSzurdoki, Péter
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2018-05-28T12:29:55Z
dc.date.available2018-05-28T12:29:55Z
dc.date.created2018-04-10
dc.description.abstractMartin McDonagh is often referred to by journalists and reviewers as a most brutal humanist based on the frequent elements of horror and violence in his plays and films, but these elements always function as a contrast to manifestations of the deeply humane. His works as a dramatist, as a screenplay writer and a film director continuously and consciously mix tragedy with comedy, obscenity with poesy, the expected with the unexpected. In my thesis I am about to observe and analyse this subvertion of various frames that contribute to the fact that Martin McDonagh is one of the most highly acclaimed playwrights of his generation.hu_HU
dc.description.correctorBK
dc.description.courseAngol nyelvtanárhu_HU
dc.description.degreerégi képzéshu_HU
dc.format.extent32hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/252863
dc.language.isoenhu_HU
dc.subjectMcDonaghhu_HU
dc.subjectdrama
dc.subjectfilm
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleBreaking the Framehu_HU
dc.title.subtitleSubverting the conventional in Martin McDonagh's theatrical and cinematic worhu_HU
dc.title.translatedA keret széttörésehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)